by Isabel Minhós Martins ; illustrated by Bernardo P. Carvalho ; translated by Daniel Hahn ‧ RELEASE DATE: Sept. 1, 2016
The takeaway is an important one: peaceful questioning of authority can lead to quiet revolution.
An armed guard stands in the gutter of the book, refusing passage to the other side no matter how much the growing crowd pleads.
The story opens to a vast, blank, double-page spread, except for a lone, white guard and a tiny dog. A page turn reveals a white person walking into view from the left. As that person attempts to enter the recto page, the guard yells a ferocious “STOP!” When pressed for a reason, the guard simply says, “My general reserves the right to keep the page blank, so he can join the story whenever he feels like it.” More people (and creatures) come as the pages turn, until the left-hand side is packed. When a red ball innocently bounces across the border, everyone freezes. The guard allows two children to retrieve the ball, and suddenly the floodgates open. The crowd swarms across. When Gen. Alcazar sees the disobeying mob, he tries to arrest the guard, but the crowd overthrows him. This abstract tale can be read many ways. A musing on order versus disorder, tyranny and revolution, or perhaps the most prevalent of late—immigration. Childlike illustrations in colorful marker and comical hidden identities (a certain extraterrestrial really wants to cross to make a phone call) lighten the tone. The endpapers show the entire cast of characters (the humans mostly white), which adds an element of seek-and-find as well.
The takeaway is an important one: peaceful questioning of authority can lead to quiet revolution. (Picture book. 4-8)Pub Date: Sept. 1, 2016
ISBN: 978-1-776570-74-4
Page Count: 40
Publisher: Gecko Press
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
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by Ana Pêgo & Isabel Minhós Martins ; illustrated by Bernado P. Carvalho ; translated by Jane Springer
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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by Jory John ; illustrated by Erin Kraan
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