Next book

VANILLA BEANS AND BRODO

REAL LIFE IN THE HILLS OF TUSCANY

Dusi gives Montalcino a real presence, but readers may wish she would stop talking long enough for them to smell the...

A leisurely and comprehensive—perhaps too leisurely and comprehensive—catalogue of seasons in a Tuscan town, from Australian Dusi.

In 1994, Dusi and her husband Lou upped and moved to Montalcino, in Italy’s Tuscany, away from their unexceptional life in Australia. By their fifth year in town, Dusi felt embosomed enough in the town’s ways (“Isobel and Lou have become Isabella and Luigi and we have begun to find acceptance”) to give a faithful recording of a passing year. She starts with a walking tour of Montalcino, through time—for this is a town that has protective walls approaching a 1,000 years in age, and a history that pokes back a few more centuries—and space, reporting on every trattoria, osteria, and café, the composition and character of each of the quarters, right down to the origins of obscure street names. There are pleasures as old as the hills: plump figs stuffed with a walnut, biscuits of ground almond, orange peel, and honey—the whole cucina povera, which hardly seems such, especially when the local and noble Brunello is always close at hand, a wine considered the best Italy has to offer. There are archery contests pitting quarter against quarter, there are feast days and olive harvesting, hunts of wild boar and the “passive violence” of soccer matches, legends of betrayed women and woodcutters seeing the face of the Madonna in a tree trunk. Dusi’s telling of these events is not merely intimate; the detail is step-by-step, blow-by-blow. Almost every sentence feels (at least) a word too heavy—“A milky globe, crisply outlined, hangs in a velvet sky flooding ghostly shadows into lanes and bathing the soaring fortress walls in a silvery glow.” And Dusi’s irritating habit of appending English translations to Italian words is distracting: “When is the notaio, notary, arriving?”

Dusi gives Montalcino a real presence, but readers may wish she would stop talking long enough for them to smell the rosemary and garlic.

Pub Date: Aug. 1, 2002

ISBN: 0-7432-3461-8

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Close Quickview