Forensic analysis, violent action, and a tough heroine who stands up to the last man on earth she wants to see again.
The survivor of a vicious crime confronts her fears in a hunt for a serial killer.
Tossed into a dumpster when she was 1 month old, Nina Esperanza was raised in a series of foster homes. At 16, she was abducted and tortured. At 17, she won legal emancipation and a new surname. At 27, she’s an FBI agent who incarnates the female warrior of her chosen name, Guerrera. After a home video of her besting two assailants goes viral, a murdered runaway in a dumpster refers obliquely in death to Nina. The young victim looks like her—petite, Latina—and shows the same signs of abuse. And a cipher for “hope is dead” makes clear that the man who kidnapped Nina is targeting her again. She’s invited to join the Behavioral Analysis Unit to find him, though it means working with a BAU specialist she has reason to resent. And despite the exposure of her past during the investigation, Nina’s determination to catch the man now known as the Cipher for his increasingly complex coded messages only grows as he kills again to send her a message: that he won’t stop until he has Nina in his grasp once more.
Forensic analysis, violent action, and a tough heroine who stands up to the last man on earth she wants to see again.Pub Date: Nov. 1, 2020
ISBN: 978-1-5420-2247-7
Page Count: 336
Publisher: Thomas & Mercer
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
A weird, wild ride.
Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.
Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.
A weird, wild ride.Pub Date: June 21, 2022
ISBN: 978-0-593-18319-9
Page Count: 368
Publisher: Dutton
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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