Arsenault’s story has the feel of a campfire song, increasingly fun and outrageous until the joyful end and its promise of...
Colette’s family moves to Montreal’s Mile End, and her mother tells her, “For the last time, NO PET,” before shooing her outside to explore the neighborhood.
Colette angrily kicks a box over a fence, goes to retrieve it, and meets some boys who introduce themselves and ask her what she’s doing. After some hesitation, she timidly says that she’s lost her pet, a parakeet, and the boys set out to help her find it, enlisting more help as they go, until the search party consists of five little white boys and girls including Colette, a brown-skinned girl of unspecified ethnicity, an Asian girl, a black boy, and a little black cat. When asked how they might identify the bird, Colette spins a grandiose tale, saying that her parakeet, Marie-Antoinette, is so big that she flies her on adventures to Paris, Japan, the desert, the sea, and the jungle. Her mother calls her in, and Colette turns to go, but the kids are full of questions about her bird, and she promises to tell them more tomorrow. Do they believe her, or is it just great fun to pretend? Arsenault’s illustrations are done in black on white with bursts of bright yellow and occasional washes of pale blue, using pencil, watercolor, and ink in various textures to form a sweet style reminiscent of vintage illustrators Cynthia Amrine and Bill Sokol.
Arsenault’s story has the feel of a campfire song, increasingly fun and outrageous until the joyful end and its promise of new friendships. (Picture book. 3-7)Pub Date: May 23, 2017
ISBN: 978-0-553-53659-1
Page Count: 48
Publisher: Random House
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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