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MAYA'S BIG SCENE

From the Mile End Kids series

Simultaneously supports social-emotional growth and celebrates collaborative creativity.

Will a drama queen’s artistic ambition overshadow her ideals?

The play performed by the kids in Maya’s neighborhood is going to be perfect. Maya is absolutely certain of this because she’s directing every aspect to realize her grand vision of a drama celebrating freedom, equality, and respect. When the other kids won’t do exactly what the imperious Maya says, however, she at last realizes that a better world starts with her actions as well as her words. With each friend contributing equal amounts of creativity, confetti rains down on the triumphant, jubilant troupe. As with the first two Mile End Kids Stories—Colette’s Lost Pet (2017) and Albert’s Quiet Quest (2019)—graphic-novel and picture-book elements blend, with speech bubbles capturing the entirety of the dialogue-driven text. As the kids explore and define their shared goals of freedom, equality, and respect, Arsenault brings readers along on her social-emotional learning journey through expertly paced visual and textual storytelling. The whimsical illustrations employ a combination of charcoal lines and textured smudges accented in orange and fuchsia. These two vibrant colors confer importance and highlight emotion, adding a layer of complexity to the expressive characters. Maya is depicted with black hair and dark skin; of the six remaining children, four present White and two as kids of color. (This book was reviewed digitally with 9-by-14-inch double-page spreads viewed at 83.7% of actual size.)

Simultaneously supports social-emotional growth and celebrates collaborative creativity. (Picture book. 4-8)

Pub Date: Feb. 2, 2021

ISBN: 978-0-7352-6760-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: Dec. 14, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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BETTER THAN A TOUCHDOWN

Earnest and well meaning but not quite a touchdown.

In Philadelphia Eagles quarterback Hurts’ motivational picture book, a youngster rebounds from disappointment.

As Jalen heads off on his first day of school, he daydreams about joining the football team, but his friend Trey soon breaks the bad news. The garden club needed more space for vegetables, so the football field was used for planting. There will be no football this year. Jalen is despondent, but his teachers Mrs. Lee and Mr. Barry and bodega owner Mr. Muhammad offer guidance that spurs him and his friends into positive action. They work to flip a nearby empty lot into a football field, with Jalen echoing his mentors’ adages. Once the field is complete, Jalen feels a swell of pride in his and his friends’ work. While the idea of kids working together to effect change is a laudable one, the bland, wordy storytelling won’t inspire young people or hold their attention. Tired, cliched inspirational comments peppered throughout often slow down the narrative, and many adult readers will find the premise—a school dropping a high-interest sports program in favor of a community garden—wildly unrealistic. Though the illustrations are colorful, with a Disney Junior charm, strange stylistic choices, such as signs with odd combinations of scribbles instead of letters, give them an unpolished look. Like Hurts, Jalen is Black; his community is diverse.

Earnest and well meaning but not quite a touchdown. (Picture book. 4-8)

Pub Date: March 10, 2026

ISBN: 9798217040308

Page Count: 40

Publisher: Flamingo Books

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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READ ALL ABOUT IT!

Visually sweet, though hampered by disjointed storytelling.

In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.

Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.

Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)

Pub Date: March 3, 2026

ISBN: 9780063357549

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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