Better just to see the movie—though being able to hear Antonio Banderas declaim “I am Poos in Boots, and my name…would...
A sketchy iteration of the 2011 film, crashatrocious (in this version of the app) but heavily stocked with stills, audio clips and interactive features.
Created as a prequel to the Shrek films (and an alternate to the Perrault tale), this episode unites Puss with his old orphanage buddy Humpty Alexander Dumpty and renowned thief Kitty Softpaws to steal magic beans and then the Golden Goose. Read silently or by an unenthusiastic narrator with selectable auto or manual advance, the text provides a wooden and sometimes disconnected summary of the action: “They staged a dangerous raid on Jack and Jill’s creepy, boar-driven wagon. It wasn’t easy, but they finally had the beans!” All of the 22 pages (except the last) feature links to strips of stills, many of which come with snatches of audio, and on several pages a touch of a small cat’s-paw icon activates a sound effect, a short animation that can be manually controlled or a drawing board that resembles a sandbox. So visually appealing is the finely detailed, richly colored art that readers may be inclined to shrug off the audio malfunctions or sudden shutdowns that too-hasty swiping or tapping engenders.
Better just to see the movie—though being able to hear Antonio Banderas declaim “I am Poos in Boots, and my name…would becahm…Legend!” at will makes this a worthy keepsake. (iPad film storybook app. 7-9)Pub Date: Oct. 28, 2011
ISBN: N/A
Page Count: -
Publisher: zuuka
Review Posted Online: Nov. 27, 2011
Kirkus Reviews Issue: Dec. 15, 2011
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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