Another fine effort from a veteran writer who knows how to play to his strengths while continuing to challenge himself.
The members of a legendary Montana college football team become grist for the World War II PR mill in this latest from Doig (The Whistling Season, 2006, etc.).
Ben Reinking isn’t thrilled to be yanked out of pilot training and told that his assignment for the duration is to write about his former Treasure State University teammates for the Threshold Press War Project (TPWP), which provides ready-made stories for local newspapers across America. Despite their undefeated season at TSU in 1941, Ben has bad memories of their bullying coach, indirectly responsible for the death from overexertion of the squad’s 12th man, and he despises Ted Loudon, the smarmy sports columnist who dubbed them the “Supreme Team” and now thinks their collective story will be a propaganda bonanza. In the war’s far-flung theaters, from the jungles of New Guinea to bomb-blasted Antwerp, Ben struggles to write honestly about his teammates, including one who’s a conscientious objector, under the constraints imposed by the TPWP, which wants heroes, not the truth. His other major preoccupation is Cass Standish, a crackerjack pilot confined by her gender to ferrying fighter planes to bases. Ben and Cass are having a torrid affair, but she’s married and too honest to pretend she knows what will happen when her husband comes home from the Pacific. Doig, as always, brings American history alive in a rousing narrative that doesn’t airbrush the past; questions of loyalty, courage and conscience, he shows, were just as complicated during World War II as they are today. He offers several scenes with his trademark blend of high drama underpinned by technical know-how: Ben and a buddy struggling to get a tired old plane in the air from a soft gravel runway; Ben reporting into a microphone attached to an unwieldy tape recorder as he lands with the Marines at Guam. Montana remains important as home ground, for the main characters and their author, but it’s a pleasure to see Doig expanding his horizons.
Another fine effort from a veteran writer who knows how to play to his strengths while continuing to challenge himself.Pub Date: Oct. 1, 2008
ISBN: 978-0-15-101243-5
Page Count: 416
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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