In their appealing protagonist, Weir and Steenz return both librarians and people with mental and emotional distress to...

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ARCHIVAL QUALITY

In another time and in different societies, librarians and people with psychosocial disabilities held similar positions: namely guardians of human knowledge.

The author, one of the American Library Association’s 2015 Emerging Leaders, reclaims this in Celeste “Cel” Walden, a woman of color fired from her library assistant job due to her multiply diagnosed mental illness. She interviews—and is hired—for an archivist gig at the Logan Museum, an 83-year-old institution housing “one of the largest collections of antique medical photographs, documents, and books,” according to the museum’s exceptionally groovy purple-and-blue–haired librarian, a black woman named Holly Park. With the job comes an apartment that archivists are strongly encouraged to live in due to the overnight hours. The museum also has an aloof, black chief curator named Abayomi Abiola, a history of use as a health facility of many sorts, and a mysterious board of directors…and a ghost connected to the time when the museum served as an asylum for people diagnosed with mental illness. The ghost spurs Celeste to seek justice for her and, in the process—with help from Holly and eventually Abayomi—helps Celeste seek wholeness for herself in terms of her condition. The author and illustrator bring a warm honesty, visually and narrativewise, to the characters, who are mostly people of color, as they navigate the complexities of mental illness, sexuality, love, and social responsibility.

In their appealing protagonist, Weir and Steenz return both librarians and people with mental and emotional distress to their original, esteemed roles as keepers of truthful history. (Graphic fantasy. 12-adult)

Pub Date: March 6, 2018

ISBN: 978-1-62010-470-5

Page Count: 280

Publisher: Oni Press

Review Posted Online: Dec. 6, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...

MACBETH

From the Wordplay Shakespeare series

A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.

The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)

Pub Date: Sept. 9, 2013

ISBN: N/A

Page Count: -

Publisher: The New Book Press LLC

Review Posted Online: Nov. 7, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times...

ROMEO AND JULIET

From the Campfire Classics series

A bland, uninspired graphic adaptation of the Bard’s renowned love story.

Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times oddly psychedelic-tinged backgrounds of cool blues and purples, the mood is strange, and the overall ambiance of the story markedly absent. Appealing to what could only be a high-interest/low–reading level audience, McDonald falls short of the mark. He explains a scene in an open-air tavern with a footnote—“a place where people gather to drink”—but he declines to offer definitions for more difficult words, such as “dirges.” While the adaptation does follow the foundation of the play, the contemporary language offers nothing; cringeworthy lines include Benvolio saying to Romeo at the party where he first meets Juliet, “Let’s go. It’s best to leave now, while the party’s in full swing.” Nagar’s faces swirl between dishwater and grotesque, adding another layer of lost passion in a story that should boil with romantic intensity. Each page number is enclosed in a little red heart; while the object of this little nuance is obvious, it’s also unpleasantly saccharine. Notes after the story include such edifying tidbits about Taylor Swift and “ ‘Wow’ dialogs from the play” (which culls out the famous quotes).

Pub Date: May 10, 2011

ISBN: 978-93-80028-58-3

Page Count: 80

Publisher: Campfire

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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