Those with similar fears may feel empathy for Miss Muffet’s plight; others will just giggle at the improbability of it all.

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LITTLE MISS MUFFET

The most famous scaredy-cat of them all experiences fright after fright before finally getting to enjoy her curds and whey.

Trapani continues Miss Muffet’s story: “All through the room, / She zipped and she zoomed / And looked for a place to hide. // A mouse came to find her; / It scurried behind her. / The dainty Miss bolted outside.” From a frog in the bushes and a crow at the top of a tree to a fish next to her canoe and a moose on the shore, it’s one thing after another. Finally, she unwinds in a bubble bath before once again settling on her tuffet (here pictured as an upholstered footstool) for a snack. Readers will barely be able to contain themselves when they spy the spider climbing up the tuffet leg. Indeed, Trapani slyly inserts clues as to what might next befall the hapless Miss Muffet in her brightly colored illustrations, which humorously capture both Miss Muffet’s primness and her fright. The rhythm and rhyme are not as tight as in others of Trapani’s extended nursery rhymes—she rhymes “scuttered” with “water” and “canoe” with “out to”—but it’s still a fun romp. The back cover includes the music and the words to all eight verses.

Those with similar fears may feel empathy for Miss Muffet’s plight; others will just giggle at the improbability of it all. (Picture book. 3-6)

Pub Date: Sept. 10, 2013

ISBN: 978-1-62087-986-3

Page Count: 32

Publisher: Skyhorse Publishing

Review Posted Online: Aug. 3, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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While there are many rhyming truck books out there, this stands out for being a collection of poems.

DIGGER, DOZER, DUMPER

Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.

Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.

While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)

Pub Date: Aug. 27, 2013

ISBN: 978-0-7636-5078-0

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 29, 2013

Kirkus Reviews Issue: June 15, 2013

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A multilayered, endearing treasure of a day.

MY DAY WITH GONG GONG

Spending a day with Gong Gong doesn’t sound like very much fun to May.

Gong Gong doesn’t speak English, and May doesn’t know Chinese. How can they have a good day together? As they stroll through an urban Chinatown, May’s perpetually sanguine maternal grandfather chats with friends and visits shops. At each stop, Cantonese words fly back and forth, many clearly pointed at May, who understands none of it. It’s equally exasperating trying to communicate with Gong Gong in English, and by the time they join a card game in the park with Gong Gong’s friends, May is tired, hungry, and frustrated. But although it seems like Gong Gong hasn’t been attentive so far, when May’s day finally comes to a head, it is clear that he has. First-person text gives glimpses into May’s lively thoughts as they evolve through the day, and Gong Gong’s unchangingly jolly face reflects what could be mistaken for blithe obliviousness but is actually his way of showing love through sharing the people and places of his life. Through adorable illustrations that exude humor and warmth, this portrait of intergenerational affection is also a tribute to life in Chinatown neighborhoods: Street vendors, a busker playing a Chinese violin, a dim sum restaurant, and more all combine to add a distinctive texture. 

A multilayered, endearing treasure of a day. (glossary) (Picture book. 4-8)

Pub Date: Sept. 8, 2020

ISBN: 978-1-77321-429-0

Page Count: 36

Publisher: Annick Press

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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A sprightly and charming modern take on a traditional rhyme.

THE THREE LITTLE KITTENS

This adaptation of a traditional English nursery rhyme features a contemporary setting, dialogue, and a small twist.

Three anthropomorphized kittens wearing conspicuous, colorful mittens (but no other clothing) are seen outside a cozy suburban house, skateboarding, playing ball, and skipping rope. A sweet scent wafts from an open window, through which a smiling cat in a dotted apron can be seen removing a pie from the oven. In their race to the door the kittens lose their mittens, of course, and the story unfolds from there. In some cases, the rhymes appear in dialogue balloons, at other times as part of the main text, both of which also include additional, original lines. Unexpected interjections add humor, as when the kittens react to the mess they’ve made by eating blueberry pie while wearing mittens: “ ‘Ooops!’ ‘Eeew!’ ‘Gross!’ ” Created with pencil, watercolor, and gouache, McClintock’s feline portraits pack plenty of personality. Big-footed and slightly round-bellied, the variously colored kittens have big eyes and sweet smiles. Mother, meanwhile, is slim and sleek, with extremely expressive whiskers. The setting is simply presented, limited to the outside of the house, inside the kitchen, and at the table. At times the characters appear against blank, softly colored backgrounds. Alternating double-page spreads, single pages, and occasional panels add interest and move the action along smoothly. Sharp-eyed listeners may notice an additional character whose presence is acknowledged in the cheerful conclusion.

A sprightly and charming modern take on a traditional rhyme. (Picture book. 3-6)

Pub Date: April 21, 2020

ISBN: 978-1-338-12587-0

Page Count: 32

Publisher: Scholastic

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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