KIRKUS REVIEW
What can all the characters in Mother Goose's world do when the reveler in chief runs out of revelry?
Trapani begins with the familiar first verse of the nursery rhyme, with the trio of fiddlers (cats in green tunics walking on two legs) trailing behind the unmistakably merry monarch. But once he settles into his throne, Cole can't stay awake for the King Cole Ball. Some of his problem is the sweetness of the fiddlers' serenade, but also his party preparations have simply worn him out. Mother Hubbard and her dog, the Three Little Pigs, Little Boy Blue (depicted with brown skin and curly black hair), and Bo Peep (drawn with Asian facial characteristics) each have a try, but to no avail. All the Mother Goose guests pace the floor in distress, until the Queen of Hearts waltzes in with a tray to save the day. The heavenly aroma of her heart-shaped tarts jolts the king from slumber, and the taste puts him back in a party mood. Trapani's paintings, in watercolor, Acryla gouache, ink, and colored pencil, are bright and delightful, but they are busy enough that large groups will find distinguishing them a challenge. The story itself is amusing but does not stand out in the Mother Goose crowd. Music and extended lyrics for "Old King Cole" fill the last page.
A pleasant-enough diversion. (Picture book. 3-5)
