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GIRL, 7

An overlong but effective indictment of the evils of violence against children.

After surviving horrific violence at a young age, a woman dedicates her life to preventing child abuse in Bassler’s debut novel.

When 7-year-old Cindy is brutally beaten by her stepfather, her injuries are so severe her doctor likens them to those he’s seen from “high-speed car accidents.” After several months of rehabilitative therapy, Cindy relearns how to walk and talk, but the abuse has changed her life forever. Although she has a resilient spirit, the support of caring doctors and loving foster parents to help her overcome her trauma, she doesn’t forget what happened to her. As an adult, she dedicates herself to helping other abused children as a social-services caseworker. She does save some kids from violence, but her failures haunt her—particularly one involving young Brittany, who was murdered by her father. Cindy resolves that the best way to stop severe child abuse is to run for office, with a goal of making child abuse a federal crime. The Green Party supports her candidacy for U.S. Senate, and after an unlikely plot twist, Cindy wins the election. She outmaneuvers cynical Senate power players through luck and force of will, and eventually sees her sweeping child-abuse legislation passed. She then personally lobbies the president to sign the bill into law, arguing that doing so will allow him to “write [his] name in the history books.” Bassler’s accounts of child abuse are appropriately brutal, and include horrifying, clinical descriptions of children’s injuries (“her head snapped back, cracking the vertebrae and severing her spinal cord”), as well as child-abuse statistics (“an estimated 906,000 children were victims of abuse and neglect last year”). However, although Cindy’s quest to stop abuse is a noble one, she never quite emerges as a three-dimensional character; indeed, her only distinguishing qualities are her childhood trauma and her saintly devotion to her cause. The novel, at more than 700 pages, is also swollen with extraneous details and characters, such as Cindy’s kind, supportive boyfriend Frank, who is unceremoniously dumped when she decides to run for the Senate. Readers who persevere, however, will likely enjoy this story about child abuse and survival.

An overlong but effective indictment of the evils of violence against children.

Pub Date: Oct. 10, 2012

ISBN: 978-0615671659

Page Count: 736

Publisher: Herald Publishing

Review Posted Online: Jan. 30, 2013

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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