An overlong but effective indictment of the evils of violence against children.
After surviving horrific violence at a young age, a woman dedicates her life to preventing child abuse in Bassler’s debut novel.
When 7-year-old Cindy is brutally beaten by her stepfather, her injuries are so severe her doctor likens them to those he’s seen from “high-speed car accidents.” After several months of rehabilitative therapy, Cindy relearns how to walk and talk, but the abuse has changed her life forever. Although she has a resilient spirit, the support of caring doctors and loving foster parents to help her overcome her trauma, she doesn’t forget what happened to her. As an adult, she dedicates herself to helping other abused children as a social-services caseworker. She does save some kids from violence, but her failures haunt her—particularly one involving young Brittany, who was murdered by her father. Cindy resolves that the best way to stop severe child abuse is to run for office, with a goal of making child abuse a federal crime. The Green Party supports her candidacy for U.S. Senate, and after an unlikely plot twist, Cindy wins the election. She outmaneuvers cynical Senate power players through luck and force of will, and eventually sees her sweeping child-abuse legislation passed. She then personally lobbies the president to sign the bill into law, arguing that doing so will allow him to “write [his] name in the history books.” Bassler’s accounts of child abuse are appropriately brutal, and include horrifying, clinical descriptions of children’s injuries (“her head snapped back, cracking the vertebrae and severing her spinal cord”), as well as child-abuse statistics (“an estimated 906,000 children were victims of abuse and neglect last year”). However, although Cindy’s quest to stop abuse is a noble one, she never quite emerges as a three-dimensional character; indeed, her only distinguishing qualities are her childhood trauma and her saintly devotion to her cause. The novel, at more than 700 pages, is also swollen with extraneous details and characters, such as Cindy’s kind, supportive boyfriend Frank, who is unceremoniously dumped when she decides to run for the Senate. Readers who persevere, however, will likely enjoy this story about child abuse and survival.
An overlong but effective indictment of the evils of violence against children.Pub Date: Oct. 10, 2012
ISBN: 978-0615671659
Page Count: 736
Publisher: Herald Publishing
Review Posted Online: Jan. 30, 2013
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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