A fantasy series installment that effortlessly informs as it entertains.
Stevens’ (Dragon Lad: The Thirteenth Egg, 2015) middle-grade fantasy sequel finds young Dirk searching for the truth about his past.
In Roman-ruled Britannia, Dirk looks like an average 12-year-old boy, but he actually hatched from a dragon’s egg just seven months ago. Leaving behind his friend, Galinda, on the island of Codhaven, Dirk is searching the lonely, mist-ridden lands for the home of Beldor, High Wizard of the West. At the wizard’s cave, he encounters Ydda, once a “grandmotherly female dragon” and now a human woman, as well as Beldor, who’s merged his consciousness with the dragon Fearclaw’s, with whom he shares a human body. Dirk reveals to them a blue stone talisman that may once have belonged to Gruffen, the Red Dragon of Greenwild. When the boy learns that Gruffen guards a horde of riches, he thinks that acquiring some of it will help him win the acceptance of Galinda’s family. Dirk also thinks that the old dragon may have information about his parents. To outfit this quest, Fearclaw provides the boy with a magical map and a ring that allows him to change between human and dragon forms. As Dirk heads north, he inadvertently loses the ring in the sea while in dragon form. Can he retrieve it and become human again before reaching the town of Isca, where humans may try to kill him? In this rollicking sequel, Stevens combines elements of real-life English history with a shape-shifting–oriented adventure for middle-grade readers. For example, Dirk witnesses the brutality of slavery as Roman soldiers lash Briton workers, but he also teams up with fanciful people such as Leonis, a sea lion who transforms into a human sea captain. Stevens often crafts casually amusing moments, as when Ethelda, the evil woman who raised Dirk, seemingly can’t remember his given name. The protagonist’s dreams and visions frequently guide the plot, which sometimes feels a bit heavy-handed. Still, Stevens’ warm black-and-white illustrations bolster important scenes, as when Dirk meets a mermaid, although truly surreal moments, such as one creature’s transformation from a fly to a dog, remain for audiences to imagine. A joyous ending leaves the cast on a fine footing for the next installment.
A fantasy series installment that effortlessly informs as it entertains.Pub Date: Oct. 29, 2017
ISBN: 978-0-9963839-3-6
Page Count: 242
Publisher: Dragon's Egg Books
Review Posted Online: Sept. 25, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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