A formulaic but appealing espionage caper strongly reminiscent of vintage spy fiction.
Battling an imminent threat rejuvenates a veteran MI5 agent.
Chambers’ peripatetic debut thriller runs for a while on two parallel tracks nearly 30 years apart. In 1989, novice MI5 agent Terry Nolan works undercover in Belfast, on the trail of IRA terrorist Kieran Martin. In 2018, Terry drinks too much and lives on a Catalina sloop moored in Boston Harbor. He’s still with MI5 and still in pursuit of the IRA, but in a managerial position in which he’s known as “the Vicar.” Operating on the East Coast of the U.S., the current IRA is less political and more criminal: “the Irish Mafia.” After a vodka-fueled sleep, 2018 Terry awakens to two armed thugs, dispatching both with panache. The less savvy 1989 Terry walks out of a pub and into an ambush, landing in a London hospital. Both narratives share a laconic edge and a focus on action, reminiscent of Ian Fleming’s James Bond, right down to the hero’s wry stoicism. The contrast between the eager young Terry and the jaded elder Terry adds pathos. As the deft killing of the two would-be assassins proves, the elder Terry may have lost his innocence but not his skill set. It’s good that Chambers gives Terry a chance to shake off the rust and regain his dedication, for the deadly duo are just the tip of an annihilating iceberg. Terry’s trail takes him all over the East Coast, to much of England, and through a platoon of henchmen. Enlivening the action is the requisite female companion, Kristen Burris, and a villainous femme fatale, An Dailtín, Gaelic for “The Terror.”
A formulaic but appealing espionage caper strongly reminiscent of vintage spy fiction.Pub Date: Sept. 19, 2023
ISBN: 9798200918102
Page Count: 300
Publisher: Blackstone
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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