This perceptive novel about a complex friendship between two women resonates as broadly as it does deeply.
A new mother with a successful career and her babysitter form an unlikely bond in a small college town.
Elisabeth, one of the protagonists of Sullivan’s latest novel, has just moved with her husband, Andrew, and baby, Gil, from brownstone Brooklyn to a remote college town 250 miles away—or as she tells her New York City friends, upstate, “but not, like, cool upstate.”A successful journalist and author, she misses her old friends and community—although she still compulsively devours the postings on her old neighborhood parent listserv—and hasn’t been able to compel herself to make new ones, secretly suspecting she won’t like the other women in her town. Eventually she finds a confidante and companion in Sam, a student at the nearby women’s college whom she hires as Gil’s babysitter. Unlike Elisabeth, who comes from a family as wealthy and privileged as it is dysfunctional, Sam, an aspiring artist with an older British boyfriend who may be a threat to her career ambitions, comes from a big, warm, middle-class family and is funding her college education through a scholarship, a cafeteria work-study job, student loans, and off-campus child care work. The inequity in the two women’s relationship and status is mostly lost on Elisabeth but not on Sam. But Sam, who finds common cause with Elisabeth’s father-in-law in fighting for the overlooked and economically disadvantaged, has her own blind spots in relation to the women she works alongside in her dorm cafeteria. When both Elisabeth and Sam meddle in other people’s lives with the best intentions, well, suffice it to say that things don’t go precisely as they had hoped. Sullivan, whose bestselling work includes Saints for All Occasions (2017), writes with empathy for her characters even as she reveals their flaws and shortcomings. And while the story she tells focuses primarily on two women from different backgrounds and at different stages of life, it also illuminates broader issues about money, privilege, and class; marriage, family, and friendship; and the dueling demands of career and domesticity with which many women struggle.
This perceptive novel about a complex friendship between two women resonates as broadly as it does deeply.Pub Date: June 23, 2020
ISBN: 978-0-525-52059-7
Page Count: 416
Publisher: Knopf
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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