A modern update of The Spoils of Poynton elegant, assured, often moving and with a gentle moral lesson to boot.
Is a diamond really forever? So Sullivan (Maine, 2011, etc.) asks in her third novel, which explores the familiar territory of people who can’t quite find the old connections but keep looking for them all the same.
Frances Gerety, a real person whom Sullivan enlists at the outset of her tale, had a daunting task way back in 1947: She had to cook up an advertising tagline for De Beers that would convince Americans to purchase diamond engagement rings, hitherto “considered just absolutely money down the drain.” Sullivan’s story takes off from there, diamonds forming a leitmotif in ingeniously connected stories that span generations. As B. Traven advised in his grand tale of gold, precious objects can cause people to do very bad things; so they do here, enacted by a principal character who, though a bit of a sad sack, does what he can to resist temptation until it overwhelms him. That character speaks to the most modern emanation of maleness: He's been laid off, his wife earning more than he when he does work, regretful because he “had failed to live up to his potential.” But then, in Sullivan’s depiction of the world, every character harbors regrets over roads not taken. Some are stronger than others, and many are devoted to things more than people: One watches Fox News and says hateful things about President Barack Obama in order to be more like her well-to-do husband, adopting his politics “along with his interest in skiing and his love of the Miami Dolphins”; another hints at wanting more children just to be more like the trendy couples on the Upper East Side, as if to say: “We can afford to raise this many children at once in the most expensive city on earth.” Does money ever buy any of them happiness? Not really, but it does score a few carats.
A modern update of The Spoils of Poynton elegant, assured, often moving and with a gentle moral lesson to boot.Pub Date: June 11, 2013
ISBN: 978-0-307-95871-6
Page Count: 400
Publisher: Knopf
Review Posted Online: May 12, 2013
Kirkus Reviews Issue: June 1, 2013
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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