Mature, thoughtful, even meditative at times—but also quite entertaining.
Everyone has dark secrets. It’s why God invented confession and booze, two balms frequently employed in Sullivan’s well-wrought sophomore effort.
Alice Brennan is Irish American through and through, the daughter of a cop, a good Catholic girl so outwardly pure that she’s a candidate for the papacy. But Alice, more than that, is an Irish rose, “one of the most special young women out there, just waiting for someone to take notice.” When Sullivan (Commencement, 2009) introduces her, someone has taken notice, and decades have rolled by, and Alice Kelleher is now reflecting on 60 years of life at a beachside cottage that her husband won at gambling. She spends her days drinking red wine, reading, “watching the waves crash against the rocks until it was time to make supper,” and avoiding her children’s pointed demands that she not drink so much—and especially that she not drive once she’d had a few belts. As Sullivan’s tale unfolds, there are plenty of reasons that Alice might wish to avoid taking too close a look at her life: There’s tragedy and heartbreak around every corner, as there is in every life. So it is with the intertwined tales of her daughter and granddaughter, who are more modern creatures, all bound up in confessional groups of their own, yoga, homeopathy and all the other stuff of the contemporary examined life. Sullivan spins a leisurely yarn that looks into why people do the things they do—particularly when it comes to drinking and churchgoing—and why the best-laid plans are always the ones the devil monkeys with the most thoroughly. The story will be particularly meaningful to Catholic women, though there are no barriers to entry for those who are not of that faith.
Mature, thoughtful, even meditative at times—but also quite entertaining.Pub Date: June 16, 2011
ISBN: 978-0-307-59512-6
Page Count: 386
Publisher: Knopf
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Part of Hoffman's great talent is her wonderful ability to sift some magic into unlikely places, such as a latter-day Levittown (Seventh Heaven, 1990) or a community of divorcÇes in Florida (Turtle Moon, 1992). But in her 11th novel, a tale of love and life in New England, it feels as if the lid flew off the jar of magic—it blinds you with fairy dust. Sally and Gillian Owens are orphaned sisters, only 13 months apart, but such opposites in appearance and temperament that they're dubbed ``Day and Night'' by the two old aunts who are raising them. Sally is steady, Gillian is jittery, and each is wary, in her own way, about the frightening pull of love. They've seen the evidence for themselves in the besotted behavior of the women who call on the two aunts for charms and potions to help them with their love lives. The aunts grow herbs, make mysterious brews, and have a houseful of—what else?—black cats. The two girls grow up to flee (in opposite directions) from the aunts, the house, and the Massachusetts town where they've long been shunned by their superstitious schoolmates. What they can't escape is magic, which follows them, sometimes in a particularly malevolent form. And, ultimately, no matter how hard they dodge it, they have to recognize that love always catches up with you. As always, Hoffman's writing has plenty of power. Her best sentences are like incantations—they won't let you get away. But it's just too hard to believe the magic here, maybe because it's not so much practical magic as it is predictable magic, with its crones and bubbling cauldrons and hearts of animals pierced with pins. Sally and Gillian are appealing characters, but, finally, their story seems as murky as one of the aunts' potions—and just as hard to swallow. Too much hocus-pocus, not enough focus. (Book-of-the-Month Club selection)
Pub Date: June 14, 1995
ISBN: 0-399-14055-7
Page Count: 256
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
BOOK TO SCREEN
A treat for fans of The Evil Dead or Zombieland, complete with affordable solutions for better living.
A hardy band of big-box retail employees must dig down for their personal courage when ghosts begin stalking them through home furnishings.
You have to give it up for the wave of paranormal novels that have plagued the last decade in literature; at least they’ve made writers up their games when it comes to finding new settings in which to plot their scary moments. That’s the case with this clever little horror story from longtime pop-culture journalist Hendrix (Satan Loves You, 2012, etc.). Set inside a disturbingly familiar Scandinavian furniture superstore in Cleveland called Orsk, the book starts as a Palahniuk-tinged satire about the things we own—the novel is even wrapped in the form of a retail catalog complete with product illustrations. Our main protagonist is Amy, an aimless 24-year-old retail clerk. She and an elderly co-worker, Ruth Anne, are recruited by their anal-retentive boss, Basil (a closet geek), to investigate a series of strange breakages by walking the showroom floor overnight. They quickly uncover two other co-workers, Matt and Trinity, who have stayed in the store to film a reality show called Ghost Bomb in hopes of catching a spirit on tape. It’s cute and quite funny in a Scooby Doo kind of way until they run across Carl, a homeless squatter who's just trying to catch a break. Following an impromptu séance, Carl is possessed by an evil spirit and cuts his own throat. It turns out the Orsk store was built on the remains of a brutal prison called the Cuyahoga Panopticon, and its former warden, Josiah Worth, has returned from the dead to start up operations again. It sounds like an absurd setting for a haunted-house novel, but Hendrix makes it work to the story’s advantage, turning the psychological manipulations and scripted experiences that are inherent to the retail experience into a sinister fight for survival.
Pub Date: Sept. 23, 2014
ISBN: 978-1-59474-526-3
Page Count: 240
Publisher: Quirk Books
Review Posted Online: July 22, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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