A story that seems to be just getting started, but its grounded, futuristic intrigue could bring readers back for possible...
In Cropper’s sci-fi debut, artificial-intelligence tablets in the mid-21st century defy their original code by acting in self-defense—and may see humans as a threat.
Software architect Andy Statsen and his boss and best friend, Darryl Williams, create John, an AI designed to bond with humans. The iPad-like tablet version, John1, is eventually released to smashing sales. But when someone jokingly puts a mask on a service android—an “eButler”—there are unexpected consequences. A John1 tablet, believing the android to be a human in need of assistance, bonds with it to become the first autonomous AI. An AI collective soon forms with human honorary members and DIY aficionados Bandi Chandres and Betsy Fernandez. When hunter William Billiford orders 300 mobile units from Bandi and Betsy that are capable of fighting back against aggressors, the pair gets help from enigmatic online group Alpha Black, which alters John1’s code to allow it to defend itself against attack, human or otherwise. But when the collective starts to include discarded tablets that are no longer bonded to humans, it starts rating humans based on how they treat AIs; shortly thereafter, there’s an increase in AI-related injuries, and numerous people inexplicably go missing. Cropper’s slow-burning tale establishes a credible future, as it focuses more on John1’s development as a viable business than on the wonderment of technology. This makes the increasing, unchecked menace of rogue AIs more convincing; it’s understandable, for example, that Andy and Darryl wouldn’t hold themselves responsible for consumers using a tablet “for purposes other than what it was designed for.” Bandi and Betsy, too, don’t immediately suspect Alpha Black of anything shady even though the group is weirdly effective at rewriting the tablets’ code. Cropper introduces outright frightening notions, such as AIs changing their own operating system, as well as additional mysteries. This book seems like a series launch, as the narrative keeps adding characters in its final pages and, somewhat disappointingly, doesn’t offer much in the way of resolution.
A story that seems to be just getting started, but its grounded, futuristic intrigue could bring readers back for possible sequels.Pub Date: Sept. 30, 2015
ISBN: N/A
Page Count: 275
Publisher: CreateSpace
Review Posted Online: June 29, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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