A delightful culinary ode to the multicultural world we live in.
A pizza-loving girl pits her favorite food against other multicultural offerings in her neighborhood to determine the best food ever!
At Pipo’s house, every night is pizza night. “Pizza. Is. The. BEST,” she says. “Peking duck?” her mother suggests, but: “Peking yuck,” Pipo avers. “French onion soup?” No! “French onion p….” Then her parents challenge her to try different foods, approaching the question scientifically. “I do not need to. I do not want to, but I will try other foods. I will do it for science,” she proclaims. Pipo visits her neighbors to gather “data.” First, she visits Eugene and tries Korean bibimbap. It smells stinky, and it tastes spicy! She loves it—but “is [it] better than pizza?” she wonders. Pipo goes on to sample Farah’s Moroccan tagine, red beans and rice in Dakota’s kitchen, and hot, juicy dumplings from Ronnie and Donnie’s food truck. All these foods are new to her and very tasty! Through this around-the-world culinary journey in her own neighborhood, Pipo discovers that while pizza is best, “it’s not the only best.” (Her recipe is appended.) Bold, bright colors, dynamic illustrations, repetitive refrains, and catchy, well-paced text make this book utterly rereadable. And while the theme is a little obvious, it may still help convince picky eaters to try new foods. Pipo has pale skin and straight black hair, and the cast is appropriately, robustly diverse.
A delightful culinary ode to the multicultural world we live in. (Picture book. 4-8)Pub Date: Sept. 1, 2020
ISBN: 978-1-324-00525-4
Page Count: 48
Publisher: Norton Young Readers
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
A straightforward, effective approach to helping children cope with one of life’s commonplace yet emotionally fraught...
A child struggles with the worry and anxiety that come with an unexpected problem.
In a wonderful balance of text and pictures, the team responsible for What Do You Do With an Idea (2014) returns with another book inspiring children to feel good about themselves. A child frets about a problem that won’t go away: “I wished it would just disappear. I tried everything I could to hide from it. I even found ways to disguise myself. But it still found me.” The spare, direct narrative is accompanied by soft gray illustrations in pencil and watercolor. The sepia-toned figure of the child is set apart from the background and surrounded by lots of white space, visually isolating the problem, which is depicted as a purple storm cloud looming overhead. Color is added bit by bit as the storm cloud grows and its color becomes more saturated. With a backpack and umbrella, the child tries to escape the problem while the storm swirls, awash with compass points scattered across the pages. The pages brighten into splashes of yellow as the child decides to tackle the problem head-on and finds that it holds promise for unlooked-for opportunity.
A straightforward, effective approach to helping children cope with one of life’s commonplace yet emotionally fraught situations, this belongs on the shelf alongside Molly Bang’s Sophie books. (Picture book. 4-7)Pub Date: June 1, 2016
ISBN: 978-1-943-20000-9
Page Count: 44
Publisher: Compendium
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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