An attractive visual introduction to Japan.
A debut collection of pen-and-ink drawings of Japan that blend reality and the artist’s imagination.
Muzacz, an American artist and a resident of Japan, compiles the results of his effort to complete one ballpoint-pen drawing each day for an entire year, starting in January 2011. The devastating earthquake and tsunami that struck Japan in March 2011 are the focus of many images, as is the Occupy movement that developed later in the year. The author arranges his drawings by theme—people, architecture, fashion, animals and so on—and provides captions or longer descriptions in both English and Japanese. Drawings of the natural world dominate the book’s early pages, and later illustrations mostly depict people and man-made environments. A section on graffiti reflects the author’s early days as a street artist, but the collection embraces a wide variety of styles, including explicit emulations of noted artists throughout Japanese history. The captions suggest that some drawings are based on photographs, while others are apparently drawn from life. Some images, particularly those depicting mythological creatures or surfing fish, are evidently drawn from the author’s imagination. Many of these pleasing drawings feel timeless; readers will be left wondering if a bucolic temple image was taken from a 19th-century photograph or if there are tourists just outside the frame taking pictures on their iPhones. The book’s final section collects thumbnail versions of all 365 images, presented in the order in which they were originally drawn. Overall, this is a comprehensive view of Japan, past and present, as seen through the eyes of a young artist with an eye for beauty in all its forms.
An attractive visual introduction to Japan.Pub Date: May 24, 2012
ISBN: 978-0985312701
Page Count: 432
Publisher: CreateSpace
Review Posted Online: July 23, 2013
Kirkus Reviews Issue: Aug. 15, 2013
Review Program: Kirkus Indie
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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