A lengthy but absorbing tale steeped in profundity.
A girl capable of time travel attempts to prevent Armageddon in this fourth installment of Brown’s eschatological fantasy saga.
It’s 1998, and 16-year-old Daniela Rose Cavanaugh is the Orphan Dreamer. She’s destined to use her time-traveling Glass Tattoo to try rescuing humans from a pandemic, the precursor to Armageddon on Earth. In this novel’s concurrent narrative, set in the present day, humanity faces multiple threats, from Covid-20 to an “invisible planet” set to collide with Earth in less than a year. But Covid-20 may be a “trial run” for a deadlier pandemic that fallen angel Nomed has long been planning. Daniela’s mission to avert Armageddon involves traveling to 575 B.C.E. to find Yahweh’s prophet Ezekiel and solve the mystery of the enigmatic Skeleton Key. At the same time, she dreams of her “oily boy,” teen Cillian Finn, who’s an enslaved person in India. She prays to Yahweh, asking for an angel to help Cillian, though she’s still unsure if the boy is the prophesied Antichrist—perhaps the most discernible sign of humanity’s end. With the companionship of her best friend and assistance from a powerful angel, Daniela hopes to save the world. Despite the time-hopping narrative, Brown’s epic tale is easy to follow. Not only do chapter headers clarify the time period and locale, but the story often stays in one era for prolonged narrative stretches. Characters spend much of the story discussing everything from religions to the racism that Daniela, as a brown girl, and others have endured. They also repeatedly, sometimes excessively, address certain topics, like who or what are the Nephilim, the human/fallen angel hybrids eagerly anticipating Armageddon. But Brown’s smart, incisive writing ensures the measured story avoids lulls with many surprises.
A lengthy but absorbing tale steeped in profundity. (author’s notes, dedications, acknowledgements, author bio)Pub Date: April 27, 2021
ISBN: N/A
Page Count: 655
Publisher: J. Nell Brown, LLC
Review Posted Online: Nov. 2, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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