by J. Patrick Black ‧ RELEASE DATE: Sept. 6, 2016
Black borrows a long list of sci-fi/fantasy ingredients to cook up a Hunger Games/Star Wars remix featuring tweens trapped...
After an alien invasion and near-instantaneous human extinction that unleashed a force called “thelemity,” which "certain people can use to affect reality,” most humans live in militarized zones under siege; but there are also warring, nomadic tribes from whose “coda” come two sisters, thelemity adepts, who tip the balance of power.
Narrated by seven characters, Black’s debut novel, the first in a new series, situates a future Earth in a parallel and “infinite web of worlds—the Realms” which, “drawn out as a map…look something like a tree,” a shameless steal from Marvel’s Thor. Unknown aliens, nicknamed "Romeo" or the “Valentines,” arrived on Valentine’s Day through the gateway called Lunar Veil to devastate Earth—why is never clear. The rare humans known as fontani, who produce thelemity, or revenni, "who can use thelemity to impose their will upon the world,” fight back. After 500 years of battle, Earth’s fate will be in the hands of the seven young narrators, who range from Jax, a 12-year-old military cadet and fontanus, to the easygoing Vinneas, Procurator of the Academy; from the Walker sisters, Rae and Naomi, to drafted soldier Torro; from “artifex” Kizabel—who speaks in footnotes—to elite fighter Imway. Peppered with both irritating incongruities—what happened to global warming? did it just go away? how can Romeo concoct long-gone human things like lobster bisque or television?—and with sly pop-culture references, this tediously militaristic potboiler is formulaic: the underdogs, through honor, strength, and thelemity, become heroes with a little help from their friends.
Black borrows a long list of sci-fi/fantasy ingredients to cook up a Hunger Games/Star Wars remix featuring tweens trapped in an unmotivated war which will make them unlikely-but-relatable heroes.Pub Date: Sept. 6, 2016
ISBN: 978-1-101-99144-2
Page Count: 496
Publisher: Ace/Berkley
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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