by J. Patrick Lewis ; illustrated by Yevgenia Nayberg ‧ RELEASE DATE: March 1, 2015
A lyrical look at a horrific time; an appeal to the necessity of remembering.
An old man called the Wren because of the beautiful music he makes must give up his beloved instrument during the Nazi occupation of his Polish town.
This Holocaust fable keeps its true subject understated. Hitler is simply called the Tyrant, and all the audience knows is that it was a dark time. Lewis’ poetic phrases collide with harsh realities. “Food and clothing were strictly rationed. Stores that once provided necessities were boarded up.…The town shriveled up like a rose without rain.” For the Wren, the most devastating day is the one when the Tyrant’s guards collect the town’s musical instruments. Before giving his pear-shaped hurdy-gurdy away, he pleads for one more song. The crowd rises up and sings as one. The Wren is taken away, never to be seen again. Luckily, the Wren’s student, a girl with fiery red hair called the Sparrow, saves the instrument, and it is passed on to future generations with a secret note tucked inside, so the music will continue and no one will ever forget. Nayberg’s stylized brush strokes initially take tones of brown and drear, but they warm with hope toward the end. The textured creases and cracks of paint echo the deliberate folds of the letter that holds such importance.
A lyrical look at a horrific time; an appeal to the necessity of remembering. (afterword) (Picture book. 6-10)Pub Date: March 1, 2015
ISBN: 978-1-4677-1951-3
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
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edited by J. Patrick Lewis
by Yin & illustrated by Chris K. Soentiept ‧ RELEASE DATE: Feb. 1, 2001
As a boy and his grandmother celebrate the Ching Ming Festival, a holiday honoring one’s ancestors, the grandmother tells the story of her great-grandfather, Shek, who came from China to California in 1865 to work on the transcontinental railroad. Shek and his little brother Wong endured the two-month trip to America and immediately signed up with the Central Pacific Railroad Company to work as laborers. The Chinese workers, known derogatorily as “coolies,” from a Chinese word meaning “bitter labor,” were paid less than their European counterparts and were often given the most dangerous jobs, those involving explosives, for example, and were forced to work in terrible weather conditions. (The author’s note informs the reader that thousands of Chinese laborers died while working on the railroad.) Shek and the other Chinese workers tried to stand up for themselves by staging a strike, but were forced to back down before any of their demands were met. Even when the railroad’s completion is celebrated, the importance of the Chinese laborers is ignored. After four years on the railroad, Shek and Wong used their earnings to open a store in San Francisco and eventually brought the rest of their family over to the US. Soentpiet’s signature glowing watercolors bathe the images with light. The pictures of big scenes—the teeming shipyard, the crowded living quarters on the ship, a campfire surrounded by snow-covered mountains, a busy San Francisco street—are striking and grand. The design—each double-page spread laid out with ¾ of the page as illustration while the ¼ on the left holds the text in a box—allows for a fuller view of the sweeping scenes. This is an important story, full of drama and emotion and it is here given its proper recognition and tribute in both words and glorious art. Perhaps it will encourage other grandparents to share their family history as well. Masterful. (Picture book. 6-10)
Pub Date: Feb. 1, 2001
ISBN: 0-399-23227-3
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
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by Yin & illustrated by Chris Soentpiet
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by Yin & illustrated by Chris Soentpiet
by Margi Preus ; illustrated by Cheryl Pilgrim ‧ RELEASE DATE: March 24, 2020
A rousing introduction to the life of a voyageur told from a unique perspective.
Stowing away with French Canadian fur traders in 1792, a loquacious red squirrel embarks on a life-changing adventure.
Each spring, Jean Pierre Petit Le Rouge, a squirrel with wanderlust, watches brave, strong voyageurs depart in canoes from Montreal and return the following autumn. Determined to be a voyageur, Le Rouge hides in a canoe paddled by eight stout voyageurs, part of a brigade of five. Soon his incessant chattering distracts the voyageurs, who become separated from the rest of the brigade, but, after ascending the highest tree, he points the crew back on course. More than once, pesky Le Rouge barely escapes becoming squirrel ragout. He’s just beginning to feel like a real voyageur when they reach the trading post on Lake Superior, where he discovers the voyageurs exchanging their cargo for animal skins to return to Montreal. Heartsick, Le Rouge decides he cannot be a voyageur if it involves trading animal skins, unless he can change things. Le Rouge relates his story with drama and flair, presenting a colorful prism through which to view the daily life of a voyageur. Peppered with historical facts and (italicized) French phrases and names, this exciting, well-documented tale (with a contemporary animal-rights subtext) proves educational and entertaining. Realistic pencil drawings highlight Le Rouge’s memorable journey.
A rousing introduction to the life of a voyageur told from a unique perspective. (map, pronunciation guide, historical and biological notes, recipe, further reading) (Historical fantasy. 7-10)Pub Date: March 24, 2020
ISBN: 978-0-8234-4247-8
Page Count: 176
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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