Perturbing, anomalous stories that will bore into readers’ minds.
Hamantaschen’s (You Shall Never Know Security, 2011) latest collection of twisted tales once again explores the dark side of human nature.
Rather appropriately, “Vernichtungsschmerz” kick-starts this book of nine outlandish, unnerving stories. In it, a creature in a dream offers teenage Julia a way to escape the pain of a natural death, a perfect example of the author toying with the horror genre. Creatures are often metaphors; in the opening tale, the reason behind a monster’s arrival takes precedence over a human’s natural urge to shudder or flee. Some stories may show signs of genre convention, but they ultimately unravel in gleefully unconventional ways. In “Soon Enough This Will Essentially Be a True Story,” a crazed writer is irate that noted online reviewer Karen hasn’t critiqued his book, yet she may be the one who gets a happy ending. Bryce, meanwhile, in “I’m a Good Person, I Mean Well and I Deserve Better,” makes an unlikely hero, but just because he saves the damsel in distress doesn’t mean he gets the girl. There’s an overwhelming sense of dread among all the characters, be it a general fear of death or, in the case of Miles in “It’s Not Feelings of Anxiety; It’s One, Constant Feeling: Anxiety,” fear that he may not be the family man for Miranda and 18-month-old Craig. At the same time, readers may dread social worker Alex’s learning why his unemployed, constantly pregnant client, Gloria, seems to be well-off in “The Gulf of Responsibility.” While Hamantaschen sometimes subverts garden-variety monsters or villains, a callback to an earlier story in “Oh Abel, Oh Absalom” implies an inexorable, omniscient evil that’s perhaps had its hand in more than just those two tales. Many of the playful titles are a smidge overlong, but the author easily churns out penetrating, somber prose: “So the promise of painless escape went unexplored, so abominable; so abhorrent was that option, as if death would never come unless it was a choice proactively taken.”
Perturbing, anomalous stories that will bore into readers’ minds.Pub Date: Sept. 9, 2015
ISBN: 978-1-5171-1398-8
Page Count: 308
Publisher: CreateSpace
Review Posted Online: Nov. 16, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Review Program: Kirkus Indie
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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