A well-wrought panorama of small-town dramas and discontents.
A boy growing up alone in a hardscrabble Texas town weathers poverty, violence, and heartbreak in this coming-of-age saga.
Archuleta’s (Rio Sonora, 2010, etc.) tense stories unfold like chapters in a novella about a boy named Josh struggling to make his way in the 1950s and ’60s. In “Jolie Blon,” readers meet little Josh living in a tent with his mother, Belle, and an itinerant farm laborer named Cecil. The boy’s unsettled life is upended when the frustrated Belle steals Cecil’s car, sells it for quick cash, and packs Josh onto a Greyhound. In the gothic “La Tormenta,” readers discover Belle abandoned Josh in a nameless west Texas hamlet. He goes to school, earns his keep—a cot and meals—by doing odd jobs, and observes the town’s darker undercurrents. In “Tormenta,” a wife’s infidelities spark macabre bloodshed, and in “Old Dan’s Lament,” the blighted life of a reclusive, bookish ranch hand maimed in the Korean War becomes grotesquely immediate. As Josh enters high school, the tales merge into episodes in a more conventional adolescent yarn. He scores a touchdown in the homecoming game—rendered with gripping play-by-play by Archuleta. And Josh gets the attention of Missy, the flirty daughter of an affluent rancher who tantalizes him by playing Beethoven on the piano and making out with him in a truck, and Roble, a down-to-earth Mexican-American girl who dreams of becoming a doctor. Dirt poor and with few prospects, Josh wonders how he could fit into either girl’s life as he scrounges work, hangs out at the gas station, and fends off hooligans. Josh is a bit blank—good-hearted but unformed and unambitious. Fortunately, Archuleta surrounds him with more colorful and charismatic characters, from a no-nonsense deputy and a flinty rancher to a tart-tongued, motherly diner waitress. Josh’s town is convincingly crafted from punchy, plainspoken dialogue—“Anyone helping me on this, well, no more beer until it’s over,” a lawman admonishes his posse—and windswept landscapes. (“Tumbleweeds bounced and rolled across dry fields until they became tangled and trapped along the fence lines and as the wind blew south toward the town, it gathered more dirt from the fields and pushed it higher until it formed a great dark rolling cloud, gaining speed and dimming daylight.”) The result is an atmospheric Texas bildungsroman reminiscent of Larry McMurtry’s The Last Picture Show.
A well-wrought panorama of small-town dramas and discontents.Pub Date: Dec. 8, 2017
ISBN: 978-1-4575-5919-8
Page Count: 141
Publisher: Dog Ear Publishing
Review Posted Online: Dec. 18, 2017
Kirkus Reviews Issue: Feb. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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