A uniquely inclusive celebration of the Jewish day of rest.
A look at the rituals that make Shabbat special to a wide variety of communities.
Three families each observe the day in their own way. One child walks to temple with Mommy and Daddy. Another watches a sibling’s basketball game with Mama and Mommy; the family then shops and cooks a meal while singing along to their favorite songs. A third child gathers with a large extended family for a meal and games at home. Each family is different. Some are big, while others are small. Some observe traditional religious practices; others make their own. Featuring cheerful colors and patterns, smiling faces, and moments of quiet connection, Kelner’s thickly outlined artwork has a scribbly, intimate feeling, reinforcing a sense of joy in rituals that include eating, dancing, and reading Torah. Characters vary in skin tone and hair style and texture. Some wear kippot (skullcaps) and tallitot (prayer shawls), including some who present female or who are nonbinary. One Shabbat finds all the families gathered at the synagogue to celebrate a b’nai mitzvah—notably, a gender nonbinary celebration rarely represented in picture books. Sass’ flowing text is punctuated by the refrain “Shabbat is unique and beautiful for every person”; this loving message is made abundantly clear throughout and echoed in the author’s note.
A uniquely inclusive celebration of the Jewish day of rest. (glossary) (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780316446716
Page Count: 40
Publisher: Little, Brown
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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