A solid history of the Singer company from the invention of the sewing machine to the days of leveraged buyouts.
A corporate history of one of the world’s leading sewing machine manufacturers.
In this debut business book, Buckman traces more than 150 years of Singer’s history, from the first commercially successful sewing machine produced in the mid-19th century to the hazards of leveraged buyouts and takeovers in the 1980s and its more recent revival after several ownership changes. The “notoriously public private life” of Isaac Singer (father of more than two dozen acknowledged children by a variety of wives and mistresses) and his partner Edward Clark’s more patrician lifestyle serve as the backdrop for the company’s early history, and Buckman makes it clear that the philanthropic and professional pursuits of the Singer and Clark families—the Metropolitan Museum of Art; the Dakota, the famous Manhattan building; the Baseball Hall of Fame—have been nearly as significant forces as the sewing machine itself. As the company moved away from family ownership, however, its management displayed a mixed track record, pursuing unwise acquisitions and moving into the aerospace field until it drew the attention of corporate raiders who came close to finishing it off. Buckman analyzes the strengths and weaknesses of each period in the company’s development, pointing out the confluence of factors that led to early market dominance (an unlikely union of complementary personalities and control of necessary patents) and placing it in the context of the global business trends of the 20th century. Buckman demonstrates a solid understanding of Singer’s business and evolution, though the book stumbles somewhat over imprecise history (“Prior to the nineteenth century, mobility was relatively rare”; “The notion of ‘free time’ for their wives was an oxymoron”) and awkward phrasing (“he named it after the American Indian word for ‘home,’ the ‘Wigwam’ ”). But the book’s thorough grounding in primary sources and its adept blending of human drama with balance sheets outweigh the shortcomings, making it a valuable contribution to the field of industrial history in the United States.
A solid history of the Singer company from the invention of the sewing machine to the days of leveraged buyouts.Pub Date: May 16, 2016
ISBN: 978-1-4575-4661-7
Page Count: 308
Publisher: Dog Ear
Review Posted Online: Aug. 29, 2016
Kirkus Reviews Issue: Nov. 15, 2016
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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