Next book

INTO THE HEARTLAND

A meaty, enjoyable drama about the personalities clashing over the building of the Erie Canal.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A historical romance focuses on the construction of the Erie Canal.

In this attractively designed reissue of Casey’s 1988 novel, A Land Beyond the River, the action opens in 1810, when the United States is already straining its boundaries and yearning to stretch out west. One avatar of that dream is New York City Mayor DeWitt Clinton, who wishes to orchestrate the building of a great waterway extending west of the Hudson River to Lake Erie. The author vividly conveys the somewhat grubby passion that motivates Clinton, a combination of vision and avarice that he’s well aware can only come to fruition with the cooperation of a grand alignment of social, political, and financial powers throughout the Hudson Valley and beyond. He has ideas along these lines, too, but he also faces a major obstacle, and it’s not the impenetrable wilderness between him and his destination. It’s the young and ferociously ambitious future president and Tammany Hall operator Martin Van Buren, who wants to scupper the project for his own reasons. In Clinton’s search for allies, he seeks to enlist two key figures: the wealthy, influential widow Eleanora Van Rensselaer and the wily, rough-hewn ship captain Daniel Hedges. As the story gains momentum, the growing challenges of planning and erecting the Erie Canal are joined with the looming threat of a renewed war with Britain. The tale follows its tight central cast of characters through the War of 1812, with the tensions of the narrative coming to a head.

The main frictions of Casey’s story derive not from the work of engineering or the cultural expansion of the plot but from the more personal facets. Eleanora has a scandal buried in her past linked to her deceased husband, and Clinton’s clashes with all the political characters in his path feature bristling personalities. Aaron Burr, for instance, is “far too slippery,” and Clinton angrily refers to Van Buren as “the bastard son of an innkeeper.” These personal elements electrify the narrative. They make the story so compulsively readable that they entirely vindicate the author’s decision to give the book an attractive cover and reissue it for a new readership. Casey has a remarkable ability to bring alive the daily life of the Hudson Valley at the beginning of the 19th century and to invest all these well-known historical figures, like Burr and Van Buren, with flawed, three-dimensional qualities. In fact, the novel’s only noticeable flaw is the imbalance between the two narrative emphases: Alongside the richly textured historical figures, Daniel and particularly Eleanora often seem thinly contrived and stereotypical. The author’s skill at dramatizing the Byzantine politics behind financing and constructing the Erie Canal is so pronounced that most readers may find themselves wishing he’d stuck to that and left the romantic plot on the drawing-room floor. And curiously, despite what seems like the narrative’s best efforts, the standout character is easily Van Buren—probably a first for American fiction.

A meaty, enjoyable drama about the personalities clashing over the building of the Erie Canal.

Pub Date: March 1, 2021

ISBN: 978-1-73436-662-4

Page Count: 424

Publisher: Diamonds Big as Radishes LLC

Review Posted Online: April 16, 2021

Next book

THE ANTIQUARIAN'S OBJECT OF DESIRE

From the Love's Academic series

Perfect if you’re in the mood for wordplay, vibes, and a minimal plot set in academia.

Two besotted magic scholars fake-hate each other to protect their jobs in a fantasy alt-Victorian England.

Professors Amelia Tarrant and Caleb Sterling have been soulmates since they met as children at boarding school—he an orphan, she the neglected child of indifferent academics. They grew up together and became historians together. But double standards plague even the zany magical universe they inhabit and a stray moment of platonic touching sets tongues wagging. With Amelia’s job always at risk in a sexist academic environment, she and Caleb decided to act like enemies so no one realizes the strength of their attachment. Pretending to hate each other is wearing on them, however, and the magical disruptions that accompany their “spats” increase when they’re assigned to visit a country house to catalog antique enchanted objects. Accompanied by a giggly secretary and a hulking security officer, Amelia and Caleb try to discover why artifacts keep disappearing and what precise power lies in the ordinary-looking spoon that keeps appearing in Amelia’s vicinity. As in Holton’s earlier novels set in a fantastical 19th-century Britain, the book is replete with Oscar Wilde- and Alexander Pope–style irony and goofball scenes with comic characters in a faux-gothic setting. This is also a satire of university culture, highlighting the emotional and professional labor forced on women in academia who are mocked for being both too competent to be likable and too feminine for true intellectual work. The dual points of view, Caleb’s consistent support for Amelia, and a secret society of exasperated older women all help counter some of the bitterness of that inequality. The couple’s abiding love and their fake fighting complicates the usual enemies-to-lovers narrative and might appeal to fans of Rachel Reid’s Heated Rivalry. There’s no explicit sex, but some passages are steamy enough to show that even professional thinkers do more than lecture.

Perfect if you’re in the mood for wordplay, vibes, and a minimal plot set in academia.

Pub Date: April 21, 2026

ISBN: 9780593641491

Page Count: 368

Publisher: Berkley

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 340


Our Verdict

  • Our Verdict
  • GET IT


  • IndieBound Bestseller

Next book

REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Awards & Accolades

Likes

  • Readers Vote
  • 340


Our Verdict

  • Our Verdict
  • GET IT


  • IndieBound Bestseller

After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

Close Quickview