A likable protagonist and spirited, uncluttered prose: a promising debut by a Chicago cabbie who may drive a hack but...
When someone asks ex–homicide cop Nick Acropolis if he misses being on the job, he replies, “Every fucking day,” acknowledging a painful truth. He misses the work, the camaraderie, but most of all the self-respect, that sense of himself as someone who matters, acquired over the 15 years he served as a high-profile Chicago police detective—and snatched from him wrongfully, he insists, by men who knew better. Now Nick’s a small-timer, a hand-to-mouth p.i. investigating the peccadilloes of other small-timers and hating every minute of it—as he’s hating the minute he serendipitously bumps into spunky young Rebecca Westerfield, who’s searching for her missing father while Nick’s tracking down the missing witness to a minor auto accident. On the surface, there’s not much to connect the two cases, but Nick ever regards a surface as the thin veneer of a secret—in this case, a lot of secrets, most of them nasty, fraudulent, or positively lethal. Before he’s through sleuthing, Nick uncovers a multimillion-dollar welfare scam, solves a brutal murder or two, locates Becky’s worthless dad, and lightens the lives of a couple of eminently worthwhile ladies. In addition, he gets to experience the heady pleasures of a higher profile once more as he thumbs his nose at the corps of bilious blue-clad bureaucrats who summarily sacked him.
A likable protagonist and spirited, uncluttered prose: a promising debut by a Chicago cabbie who may drive a hack but doesn’t write like one.Pub Date: Nov. 11, 2002
ISBN: 0-312-28960-X
Page Count: 304
Publisher: Dunne/Minotaur
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
BOOK REVIEW
A murder is committed in a stalled transcontinental train in the Balkans, and every passenger has a watertight alibi. But Hercule Poirot finds a way.
**Note: This classic Agatha Christie mystery was originally published in England as Murder on the Orient Express, but in the United States as Murder in the Calais Coach. Kirkus reviewed the book in 1934 under the original US title, but we changed the title in our database to the now recognizable title Murder on the Orient Express. This is the only name now known for the book. The reason the US publisher, Dodd Mead, did not use the UK title in 1934 was to avoid confusion with the 1932 Graham Greene novel, Orient Express.
Pub Date: Feb. 28, 1934
ISBN: 978-0062073495
Page Count: -
Publisher: Dodd, Mead
Review Posted Online: Sept. 20, 2011
Kirkus Reviews Issue: Feb. 1, 1934
The parts with Nero Wolfe, the only character Goldsborough brings to life, are almost worth waiting for.
In Archie Goodwin's 15th adventure since the death of his creator, Rex Stout, his gossipy Aunt Edna Wainwright lures him from 34th Street to his carefully unnamed hometown in Ohio to investigate the death of a well-hated bank president.
Tom Blankenship, the local police chief, thinks there’s no case since Logan Mulgrew shot himself. But Archie’s mother, Marjorie Goodwin, and Aunt Edna know lots of people with reason to have killed him. Mulgrew drove rival banker Charles Purcell out of business, forcing Purcell to get work as an auto mechanic, and foreclosed on dairy farmer Harold Mapes’ spread. Lester Newman is convinced that Mulgrew murdered his ailing wife, Lester’s sister, so that he could romance her nurse, Carrie Yeager. And Donna Newman, Lester’s granddaughter, might have had an eye on her great-uncle’s substantial estate. Nor is Archie limited to mulling over his relatives’ gossip, for Trumpet reporter Verna Kay Padgett, whose apartment window was shot out the night her column raised questions about the alleged suicide, is perfectly willing to publish a floridly actionable summary of the leading suspects that delights her editor, shocks Archie, and infuriates everyone else. The one person missing is Archie’s boss, Nero Wolfe (Death of an Art Collector, 2019, etc.), and fans will breathe a sigh of relief when he appears at Marjorie’s door, debriefs Archie, notices a telltale clue, prepares dinner for everyone, sleeps on his discovery, and arranges a meeting of all parties in Marjorie’s living room in which he names the killer.
The parts with Nero Wolfe, the only character Goldsborough brings to life, are almost worth waiting for.Pub Date: May 19, 2020
ISBN: 978-1-5040-5988-6
Page Count: 248
Publisher: Mysterious Press
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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