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EYE OF THE STORM

A world-class assassin goes after British PM John Major in Higgins's latest firmly engaging round of speculative derring-do. The Day of the Jackal this isn't, although Sean Dillon—a rogue IRA hit-man who's also a master thespian—is nearly as charismatic a killer as Forsyth's Jackal; and the author's own The Eagle Has Landed it isn't quite either, though Higgins, a diligent literary recycler, revives the spirit, pacing, and even one major player from that 1975 classic. This is the vigorous, rather simple tale of what might have been behind the real-life, still unexplained, mortar attack on Number Ten Downing Street on February 7, 1991. Here, Saddam Hussein, reeling under the allied bombing of Baghdad, asks oily Iraqi billionaire Michael Aroun to avenge Iraqi honor, which Aroun does by joining forces with Stalinist KGB Colonel Josef Makeev and hiring Dillon to blow away Margaret Thatcher, now visiting in France. When Dillon is betrayed by two hirelings and misses his shot at the Iron Lady, he ups the stakes- -why not, he proposes, go after the current PM (here, a most charming chap) and in fact the entire British War Cabinet? Using his Olivier-like powers to pose as several characters, including a bag-lady, and aided by a sexy KGB spy, Dillon sneaks into England, then Ireland, contacts old criminal/IRA pals, and plans. Arrayed against him in an ever-more suspenseful chase are several stalwart British agents, male and female, and two ex-IRA men, including Liam Devlin of Eagle fame. The mortar attack itself has about as much dramatic impact as a hiccup, but Higgins saves his big melodrama for Dillon's attempted escape—which will leave readers happily breathless and waiting for a sequel. The action's so fast, the heroes so valiant, and the villains so blackhearted that not even Higgins's syntax-crunching prose will keep his fans from driving this—his most enjoyable book in years- -up the charts. (Book-of-the-Month Split Main Selection for July)

Pub Date: July 1, 1992

ISBN: 0-399-13758-0

Page Count: 320

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1992

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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