A top-notch, edge-of-the-seat thriller in which there are no villains, only mysteries.


This first collaboration from McDevitt (Firebird, 2011, etc.) and Resnick (The Doctor and the Kid, 2011, etc.), developed from a 2010 story by McDevitt (spoiler alert: don’t read the story first), takes the form of a conspiracy involving the moon landings. And no, Stanley Kubrick didn’t fake them.

By 2019, the U.S. economy is still grinding along the fringes of recession. Jerry Culpepper, NASA’s public affairs director, loves his job and still believes in its mission, even though the only foreseeable future is one of continuing slow decline. But then a routine release of background material from the late 1960s turns up an oddity. Before Neil Armstrong landed on the moon, there were two dress-rehearsal moon shots, both of which orbited the moon but did not land. Yet, a recording of a chat between Houston and Sydney Myshko, captain of the first of the test missions, shows Myshko apparently preparing to descend! And Aaron Walker, on the mission after Myshko, wrote in his diary that he landed on the moon. Both men are now dead and cannot be questioned. But was there a coverup? Of what, and for what possible reason? Multibillionaire entrepreneur Morgan “Bucky” Blackstone sees a chance to goose the complacent Washington establishment and, not coincidentally, whip up enthusiasm for his own, strictly private enterprise, planned moon landings. As other evidence, suggestive yet inconclusive, trickles in, Jerry tries to keep a lid on things. Meanwhile, POTUS George Cunningham, an essentially decent man with a strong interest in NASA but hampered by intractable budgetary constraints, finds himself in a bind: If there was a conspiracy and he didn’t know, he’s out of touch and an idiotic dupe; if he did know, he’s a liar and part of the coverup. Against the solid and affectionately rendered NASA backdrop, the authors expertly crank up the tension and maintain it throughout via a suite of thoroughly believable characters.

A top-notch, edge-of-the-seat thriller in which there are no villains, only mysteries.

Pub Date: Nov. 6, 2012

ISBN: 978-1-937008-71-0

Page Count: 400

Publisher: Ace/Berkley

Review Posted Online: Sept. 16, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.


Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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