The reigning king of iambic “pun”tameter returns with 17 new poems. By compressing words with shared syllables, Prelutsky hybridizes common objects and animals. Kids will delight in meeting “The Eggbeaturkey,” “Shoehornets” and “The Ballpoint Penguins.” The poems, most executed in iambic tetrameter, turn on trademark absurdity: “The TRUMPETOOS and TUBAOONS / Are blaring out discordant tunes. / They play them loud, they play them long, / But most of all, they play them wrong.” Tautly controlling meter and rhyme, Prelutsky brings the roiling fun to a simmer with wry conclusions. (“They march about in close array. / We wish they’d simply march away, / Or stop and take a silent snooze— / Those TUBABOONS and TRUMPETOOS.” Berger’s whimsical collages craftily handle exotica like “The Solitary Spatuloon” and “The Ocelock.” A few poems present challenges. “The Limber Bulboa’s” pun is a stretch for younger gigglers, though redeemed with this surefire couplet: “It has no idea what it’s likely to find / As it lights up its way with its brilliant behind.” Pretty brilliant, indeed. (Poetry. 5-9)
Pub Date: Oct. 1, 2006
ISBN: 0-06-054317-5
Page Count: 32
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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