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SHIKAR

Promising idea, but, told through a yawn, without the tension the genre demands.

Bengal tiger goes AWOL from an overturned circus truck and takes up a biped-only protein diet. Strictly from the rope-a-dope school of mystery thriller: the reader sees all the punches coming.

Effectively if not so subtly, first-novelist Warner, retired journalist, invokes Kipling through a reverent hunter vs. man-eater prologue that’s set in India. Then the reader is dumped into modern-day rural Georgia as the devil-in-giant-cat-drag chews its way through mountainous scenery. The prologue may have been replaced abruptly by the red Georgia clay, but the classic types—Great White Hunter, Jungle Boy, and Man-Eating Tiger—are transported from the past virtually intact, two-dimensional and bloodless. Warner hurriedly covers all the events that were foreshadowed in the prologue. The only stranger to those familiar with the genre is a nicely portrayed rural sheriff, Grady Brickhouse, who’s not a cartoonish country galoot but a sensitive modern gentleman doing his best to deal with a dangerous carnivore and a drooling press corps. Sheriff aside, the rest of the cast is drawn in dotted-line primary colors. Beyond vague descriptions of the “man eater’s” gory dining habits and some references to sexual activity by secondary characters, there’s little of violence or prurience here, a curious absence that tends to give the whole a YA atmosphere. The only lust is the insatiable feline’s. And, remarkably soon, even the primal, nightmarish terror of humans being stalked and eaten by a huge, reddish cat with burning yellow eyes becomes routine.

Promising idea, but, told through a yawn, without the tension the genre demands.

Pub Date: June 1, 2003

ISBN: 0-765-30343-4

Page Count: 368

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2003

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NINETEEN MINUTES

Though all the surface elements are in place, Picoult falters in her exploration of what turns a quiet kid into a murderer.

Picoult’s 14th novel (after The Tenth Circle, 2006, etc.) of a school shooting begins with high-voltage excitement, then slows by the middle, never regaining its initial pace or appeal.

Peter Houghton, 17, has been the victim of bullying since his first day of kindergarten, made all the more difficult by two factors: In small-town Sterling, N.H., Peter is in high school with the kids who’ve tormented him all his life; and his all-American older brother eggs the bullies on. Peter retreats into a world of video games and computer programming, but he’s never able to attain the safety of invisibility. And then one day he walks into Sterling High with a knapsack full of guns, kills ten students and wounds many others. Peter is caught and thrown in jail, but with over a thousand witnesses and video tape of the day, it will be hard work for the defense to clear him. His attorney, Jordan McAfee, hits on the only approach that might save the unlikable kid—a variation of Post Traumatic Stress Disorder caused by bullying. Thrown into the story is Judge Alex Cormier, and her daughter Josie, who used to be best friends with Peter until the popular crowd forced the limits of her loyalty. Also found dead was her boyfriend Matt, but Josie claims she can’t remember anything from that day. Picoult mixes McAfee’s attempt to build a defense with the mending relationship of Alex and Josie, but what proves a more intriguing premise is the response of Peter’s parents to the tragedy. How do you keep loving your son when he becomes a mass murderer? Unfortunately, this question, and others, remain, as the novel relies on repetition (the countless flashbacks of Peter’s victimization) rather than fresh insight. Peter fits the profile, but is never fully fleshed out beyond stereotype. Usually so adept at shaping the big stories with nuance, Picoult here takes a tragically familiar event, pads it with plot, but leaves out the subtleties of character.

Though all the surface elements are in place, Picoult falters in her exploration of what turns a quiet kid into a murderer.

Pub Date: March 6, 2007

ISBN: 0-7434-9672-8

Page Count: 352

Publisher: Atria

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2007

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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