A World War II novel that will make you smile—who knew?
The author obviously had fun with this oddball, imaginative South Pacific war tale.
In 1944 Hawaii, Seaman 2nd Class Bart Sullivan is a coward who counterfeits orders to leave his troop ship, the Renegade, and return stateside. “No combat for me,” he brags to Chief Petty Officer Olafson. “I’ve got my orders.” Olafson is an illiterate (an illiterate CPO—really?) and a brute who clubs Sullivan to death during a training exercise. But, nothing if not resilient, Sullivan isn’t really dead—he sees a “white light” and becomes a shade, or a spirit, and winds up in sick bay, where eventually someone realizes, “This corpse ain’t dead!” The experience has worked out well for him, and now he’s no longer a coward, so he is “about to begin the do-over of his life.” But wait, there’s more! He’s become clairvoyant: As his battle convoy heads west, he foretells the typhoon it fails to avoid. Sullivan and Olafson go overboard. Part 2 contains rich visual detail as Olafson washes ashore on an Indonesian island abounding with dangers such as cannibals and a nasty Komodo dragon. A local woman saves his life but numbs him with toxin from pitohui feathers, intending to keep him for barter. When cannibals catch him, they show him a strange object Olafson knows is a crank-powered field radio. They hear singing from it and think the box contains the voice of a god—and Olafson is their connection. Using the “god box” he teaches them to sing “Don’t Fence Me In” and “White Christmas.” The story has a few minor annoyances such as occasionally hokey dialogue and overenthusiastic use of caps—mercifully, “RRRRRAAARRGHHHOOOOAAARRRRAAARRGHHHH!!!!!!!!!!!!!” appears only once. But it’s fun and often funny—one character thinks the Andrews Sisters are the god box’s best messengers.
A World War II novel that will make you smile—who knew?Pub Date: Sept. 3, 2020
ISBN: 978-0-9821207-0-5
Page Count: 235
Publisher: Vire Press, LLC
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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