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THE NOODLE SHOP COOKBOOK

Passmore (Asia the Beautiful Cookbook, not reviewed) was inspired to put together this group of Asian noodle recipes when she left Hong Kong and experienced ``noodle withdrawal,'' and she has done a bang-up job of collecting and replicating dishes. In fact, this book's only major flaw is that the recipes are a little too authentic for Western taste buds. Perhaps that's why the final chapter, containing Passmore's own vigorous innovations, like cold sesame noodles with grilled eggplant and squash, is so pleasing. Descriptions of unfamiliar products like dried rice sticks and bean-thread vermicelli are helpful, and margin notes are innovative and fun, covering everything from creating scallion-curl garnishes to noodle-slurping and how to avoid it. Sometimes, however, cross- referencing is out of whack. A note on how to fry tofu is mentioned in one recipe where fried cubes are called for, but other recipes command the reader to fry without explaining how. Not all of these recipes are foolproof, either. Three of the ingredients in a recipe for spicy Chinese bean threads are listed separately as seasonings but must be added along with the other ingredients, a move that is sure to cause confusion in the middle of a stir-frying frenzy. And in a cookbook calling not only for exotic noodles but also for hard-to-find items like kecap manis (sweet Indonesian soy sauce) and lap cheong (Chinese pork sausages), it's thoughtless not to include a list of mail-order sources. Far above Spaghetti-Os but not quite up to Tampopo standards on the noodle achievement scale. (14 illustrations, not seen)

Pub Date: Nov. 1, 1994

ISBN: 0-02-594705-2

Page Count: 192

Publisher: Palgrave Macmillan

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1994

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A MILLION LITTLE PIECES

Startling, at times pretentious in its self-regard, but ultimately breathtaking: The Lost Weekend for the under-25 set.

Frey’s lacerating, intimate debut chronicles his recovery from multiple addictions with adrenal rage and sprawling prose.

After ten years of alcoholism and three years of crack addiction, the 23-year-old author awakens from a blackout aboard a Chicago-bound airplane, “covered with a colorful mixture of spit, snot, urine, vomit and blood.” While intoxicated, he learns, he had fallen from a fire escape and damaged his teeth and face. His family persuades him to enter a Minnesota clinic, described as “the oldest Residential Drug and Alcohol Facility in the World.” Frey’s enormous alcohol habit, combined with his use of “Cocaine . . . Pills, acid, mushrooms, meth, PCP and glue,” make this a very rough ride, with the DTs quickly setting in: “The bugs crawl onto my skin and they start biting me and I try to kill them.” Frey captures with often discomforting acuity the daily grind and painful reacquaintance with human sensation that occur in long-term detox; for example, he must undergo reconstructive dental surgery without anesthetic, an ordeal rendered in excruciating detail. Very gradually, he confronts the “demons” that compelled him towards epic chemical abuse, although it takes him longer to recognize his own culpability in self-destructive acts. He effectively portrays the volatile yet loyal relationships of people in recovery as he forms bonds with a damaged young woman, an addicted mobster, and an alcoholic judge. Although he rejects the familiar 12-step program of AA, he finds strength in the principles of Taoism and (somewhat to his surprise) in the unflinching support of family, friends, and therapists, who help him avoid a relapse. Our acerbic narrator conveys urgency and youthful spirit with an angry, clinical tone and some initially off-putting prose tics—irregular paragraph breaks, unpunctuated dialogue, scattered capitalization, few commas—that ultimately create striking accruals of verisimilitude and plausible human portraits.

Startling, at times pretentious in its self-regard, but ultimately breathtaking: The Lost Weekend for the under-25 set.

Pub Date: April 15, 2003

ISBN: 0-385-50775-5

Page Count: 384

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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THE SOPRANOS SESSIONS

Essential for fans and the definitive celebration of a show that made history by knowing the rules and breaking every one of...

Everything you ever wanted to know about America’s favorite Mafia serial—and then some.

New York magazine TV critic Seitz (Mad Men Carousel: The Complete Critical Companion, 2015, etc.) and Rolling Stone TV critic Sepinwall (Breaking Bad 101: The Complete Critical Companion, 2017, etc.) gather a decade’s worth of their smart, lively writing about New Jersey’s most infamous crime family. As they note, The Sopranos was first shot in 1997, helmed by master storyteller David Chase, of Northern Exposure and Rockford Files renown, who unveiled his creation at an odd time in which Robert De Niro had just appeared in a film about a Mafioso in therapy. The pilot was “a hybrid slapstick comedy, domestic sitcom, and crime thriller, with dabs of ’70s American New Wave grit. It is high and low art, vulgar and sophisticated.” It barely hinted at what was to come, a classic of darkness and cynicism starring James Gandolfini, an actor “obscure enough that, coupled with the titanic force of his performance, it was easy to view him as always having been Tony Soprano.” Put Gandolfini together with one of the best ensembles and writing crews ever assembled, and it’s small wonder that the show is still remembered, discussed, and considered a classic. Seitz and Sepinwall occasionally go too Freudian (“Tony is a human turd, shat out by a mother who treats her son like shit”), though sometimes to apposite effect: Readers aren’t likely to look at an egg the same way ever again. The authors’ interviews with Chase are endlessly illuminating, though we still won’t ever know what really happened to the Soprano family on that fateful evening in 2007. “It’s not something you just watch,” they write. “It’s something you grapple with, accept, resist, accept again, resist again, then resolve to live with”—which, they add, is “absolutely in character for this show.”

Essential for fans and the definitive celebration of a show that made history by knowing the rules and breaking every one of them.

Pub Date: Jan. 8, 2019

ISBN: 978-1-4197-3494-6

Page Count: 480

Publisher: Abrams

Review Posted Online: Oct. 27, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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