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THE SANTANGELOS

Collins’ dim view of human nature never fails to entertain.

The latest in the adventures of Collins’ lady mobster with a heart of platinum, Lucky Santangelo.

When we last left Lucky (Goddess of Vengeance, 2011, etc.) she was extricating her children from scrapes and fighting off a hostile takeover attempt by the Middle Eastern kingdom of Akramshar on her Las Vegas showplace, The Keys. Nothing much has changed except that gorgeous, canny, and sexy Lucky continues to age in reverse. A prologue reveals that since Armand, the favorite son of Akramshar’s King Emir, was assassinated at The Keys, Emir has vowed revenge on the entire Santangelo clan. The first salvo arrives as Lucky is preparing for another Vegas reunion with her former mob boss father, Gino. The ever feisty nonagenarian is gunned down, execution style, while on his daily power walk in Palm Springs, and Lucky finds an anonymous embossed card reading “Vengeance” in his desk. Lucky’s son, Bobby, opening his new nightclub in Chicago, is slipped a roofie by a call girl—for whose murder he is subsequently framed. Lucky immediately suspects a link between Gino’s killing and Bobby’s predicament, but her private detective informs her the attack on Bobby was probably intended to ensnare Bobby’s girlfriend, Denver, a Los Angeles district attorney who's attempting to bring down Alejandro, son of Pablo Diego, another of Collins’ hate-worthy drug-czar villains. As for Lucky’s daughter, 18-year old Max, a breakthrough Italian modeling gig has turned into “something of a nightmare,” an atypical (for Collins) understatement. For some reason, Lucky doesn’t wonder who else might have had it in for the Santangelos. As readers wait breathlessly for Lucky to catch on, a stable of has-beens and hopefuls, including Willow, a tabloid-tarnished former starlet trying to fellate her way to a career restart, and Rafael, the illegitimate son Pablo underestimates at his peril, adds spice to Collins’ usual stew of Hollywood depravity.

Collins’ dim view of human nature never fails to entertain.

Pub Date: June 16, 2015

ISBN: 978-1-250-04823-3

Page Count: 544

Publisher: St. Martin's

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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