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DIDN'T MAKE

IN SHORT STORY FORM, VOL. # 1

Hollywood made the right decision.

Six pseudo-sci-fi screenplays in short-story form.

The first five of these cinematic stories follow an all-too-common Hollywood formula: An ordinary citizen is confronted with an inexplicable problem or power. “Stream,” for example, deals with the apocalyptic crisis that results from an alternate astral plane sucking away the souls of Earthlings. One man can save them all, but only if he is projected to an energy stream within the plane. In “Heaven’s Door,” a prosperous communication business connects the living world with Heaven. When people find out that they can speak not only with their loved ones, but also with God, demand for the service skyrockets–though unfortunately, those conversations have greater consequences. Deadly, Gremlin-like creatures take over the small town of Rockville, Colo., in “Nightlings,” sending college students Josh and Troy on a battle for their community. In “Tex and Kate,” two aging country heroes stumble upon a fountain of youth, though their second chance comes rife with complications. Morris, the hero of “In Your Dreams,” who has always been lost in his own subconscious, discovers that he is able to interact with other people’s dreams. In the final story, “Southern Fried Yankees,” the author departs from his tired formula and fondly remembers a summer that he and his brother spent with their grandmother in southern Missouri during the 1960s. This realistic story is far more effective than the other five, in which Young ceaselessly recycles the same hokey Hollywood clichés. While books often make good movies, the opposite is rarely the case. The pseudo-cinematic tone is childish, the characters are flat and the condensing of full screenplays into short stories makes them feel rushed and unfinished.

Hollywood made the right decision.

Pub Date: N/A

ISBN: 0-9774328-0-7

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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CHRISTMAS SHOPAHOLIC

A laugh-out-loud funny book that will delight longtime Kinsella fans and those looking for a cozy holiday story.

Kinsella’s (I Owe You One, 2019, etc.) much-loved Shopaholic is back—and this time, it’s Christmas.

Becky Brandon is looking forward to spending Christmas with her husband and daughter at her parents’ house, just like always. It’s cozy and warm and, other than her favorite Christmas tradition (shopping), Becky doesn’t have to do much of anything. But then her parents drop a huge surprise—they’re moving to an apartment in the superhip London neighborhood of Shoreditch. Now, instead of Christmas sweaters and carols, they’re into unicycles and avocado toast. Her parents’ transformation into hipsters means that Becky has to host Christmas at her home in Letherby. Becky has no idea how to host a holiday dinner for her entire family and extended network of family friends, but she’s never met a problem she couldn’t shop her way out of. As usual, however, Becky finds herself stuck with a ton of problems. First, she needs to find the perfect gift for her husband, Luke, but in order to get it she just might have to petition an all-male billiards club to accept female members (Becky, of course, doesn’t play billiards). She might be in trouble with the entire country of Norway after creating her own (fictional) version of hygge, “sprygge.” Her environmentally conscious sister wants Becky to decorate a broom instead of a Christmas tree and have a vegan turkey on the table. And then there’s her musician ex-boyfriend who unexpectedly shows up in town with his new girlfriend. With everything on Becky’s plate, will she be able to create the picture-perfect Christmas she dreams of? Becky is still a hardworking, eminently lovable character who just wants to do the right thing, even if she usually screws everything up and finds herself in hilariously awful situations (like, for example, storing 30 pounds of smoked salmon on her front lawn under a duvet).

A laugh-out-loud funny book that will delight longtime Kinsella fans and those looking for a cozy holiday story.

Pub Date: Oct. 15, 2019

ISBN: 978-0-593-13282-1

Page Count: 448

Publisher: Dial Press

Review Posted Online: Sept. 14, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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SOLAR STORMS

A meandering and didactic family saga by Chickasaw poet, novelist, and essayist Hogan (Dwellings, p. 835; Mean Spirit, 1990), a tale that attemptsÖ la Little Big Manto rewrite the history of the American West from a Native American perspective. At 17, Angela Jensen decides that it's time to untangle her family, a process she begins by going hometo a remote village in western Canada called Adam's Rib, a place she no longer even recognizes. Angela looks up Agnes Iron, her great-grandmother, whom she's never met, and is soon introduced to Bush, who looked after Angela's deranged mother, Hannah, and raised Angela herself after Hannah's early death. At first, it is information about her motherstories, accounts, explanationsthat most interests Angela, but eventually she understands that the history of her family is woven tightly into the history of her family's tribe and the bloody strife that has colored their lives ever since the white men came among them: ``For us, hell was cleared forests and killed animals. But for them, hell was this world in all its plenitude.'' The troubles have been carried down to the present day, except that now the threat is comprised not of missionaries and European settlers but of government authorities who want to develop the land out of existence through the construction of a mammoth hydroelectric power plant. As her consciousness is raised, Angela begins to recognize her real identity but desires, and the anger that she labors under throughoutand that finds expression mainly in the crudest caricatures of Western culture and North American history imaginableis relieved by the happy fulfillment of her romantic (rather than political) life: a fairy-tale marriage that seems in this terrain to be even more out-of-place than the dam would have been. Tediously obvious and overwritten; Hogan's characters are so excruciatingly limited to the representation of their cultures that they become little more than allegories, reducing the tale to agitprop.

Pub Date: Oct. 1, 1995

ISBN: 0-684-81227-4

Page Count: 320

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1995

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