A sweet, mishap-filled look at what it takes to create lasting love between two people with separate lives.



An aspiring writer meets her dream man at a retreat in Italy…but when they’re back in London, real life gets in the way.

Ava is a copywriter for a pharmaceutical company in London, but she dreams of writing a book. So when she gets the chance to go to a writing retreat at a remote monastery in Italy, she jumps on it. At the retreat, real names and personal conversations aren’t allowed—instead, everyone wears linen kurta pajamas and goes by made-up names. Ava decides to go by Aria, and she quickly meets Dutch, who joins their group after his martial arts retreat is cancelled. Ava falls for him almost instantly, and the two spend their days cliff-jumping, eating ice cream, and writing thinly veiled sex scenes to share with the class. One thing they definitely don’t do? Talk about their real names, jobs, or living situations. Ava might not know Dutch’s name, but she knows they’ll stay together even when they head back to London. But it turns out that getting to know Dutch—or Matt—in real life is a bit trickier. Ava hates his industrial flat filled with creepy artwork, and Matt can’t stand her run-down place filled with “rescue books” and upcycled furniture that tends to break. Ava’s dog keeps destroying Matt’s shirts, and Matt isn’t a vegetarian. Perhaps most importantly, Matt is tied to a family job that makes him miserable, and his parents don’t care much for Ava. Can their relationship survive the real world, or are they doomed by their differences? Ava is a charming main character whose relentless positivity is often misplaced but usually quite funny. Her efforts to fit into Matt’s life, no matter where it leads her (sometimes into such awkward situations as a naked sauna with his extended family), are hilarious, but it’s more rewarding to watch her as she learns to take charge of her own life. As usual, Kinsella has created a lovely cast of quirky supporting characters—Ava and Matt’s friends might even be more fun to read about than the romance.

A sweet, mishap-filled look at what it takes to create lasting love between two people with separate lives.

Pub Date: Oct. 27, 2020

ISBN: 978-0-593-13285-2

Page Count: 432

Publisher: Dial Press

Review Posted Online: Sept. 16, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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A cozy quilt of recycled rom-com tropes.


British babies born in the same hospital in the first minutes of New Years' Day 1990 meet again on their 30th birthdays.

"Look, Shaylene, I'm sure you've seen Sleepless in Seattle? You know that bit where Meg Ryan is supposed to meet Tom Hanks at the top of the Empire State Building on Valentine's Day? Well I'm in a situation a bit like that," pleads the likable but self-defeating pie entrepreneur Minnie Cooper during the climax of Cousens' debut. Yes, she certainly is, having struggled for more than 300 pages through every rom-com trope in the book. Her story begins on New Years' Eve 1989, when her mother, Connie, goes through labor with a waifish but well-heeled wardmate named Tara Hamilton. One of them will win a cash prize for giving birth to the first baby of 1990, and wouldn't you know, it's the rich lady who doesn't need the money. Not only that, she steals the lucky name Connie has chosen for her child: Quinn. Furious, the Coopers decide instead on Minnie, not realizing that this will subject their daughter to a lifetime of self-esteem–crushing car jokes. On the other hand, Minnie needs her self-esteem crushed so that when she runs into the rich, handsome, mensch-y Quinn Hamilton on their shared birthday 30 years later she can spend a year spontaneously generating one mistaken impression after another so the two don't just accept what fate so clearly intends for them. While Quinn and Minnie don't stray far from type, they are surrounded by an entertaining supporting cast—Minnie's irritating punster boyfriend; her amateur horologist dad; her employees at the not-for-profit pie bakery, particularly a platinum blond wastrel named Fleur. Mother Connie is a bit of a problem, though. Seething with resentment about the stolen name and other injustices, she's a cold and negative mother who passes the chip on her shoulder to her daughter—until something happens offstage and she turns into a completely different person. Not sure what movie this comes from, but it doesn't work.

A cozy quilt of recycled rom-com tropes.

Pub Date: Dec. 1, 2020


Page Count: 352

Publisher: Putnam

Review Posted Online: Dec. 11, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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A clever, romantic, sexy love story.

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The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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