by Jacky Davis ; illustrated by Jay Fleck ‧ RELEASE DATE: July 11, 2017
Black Belt Bunny’s salad doesn’t quite come together.
Wham! Bam! Chop! Can Black Belt Bunny pick up a new skill?
Black Belt Bunny is “reeeeeeeeeeally fast,” superstrong, “surprisingly sneaky,” and, in sum, “nothing short of swell.” But when it comes to learning something new—it’s time to learn how to make a salad—Black Belt Bunny is nowhere to be found. What’s wrong? Alas, since Black Belt Bunny does not talk, it’s never entirely clear. In the manner of Deborah Underwood and Claudia Rueda’s Here Comes the Easter Cat (2014) and companions, the story is told entirely through the narrator’s one-sided dialogue with the nonverbal bunny. Fleck’s pencil-and-digital illustrations depict an incredibly emotive Bunny, but Davis’ text only hints at, without quite confirming, Bunny’s central crisis. Readers might guess that this is a won’t-eat-vegetables story, but little Bunny apparently loves salad. The narrator notes that Bunny has never made a salad before, implying it’s a fear of trying new things. Readers, on the other hand, may well wonder why Bunny has to make a salad at all, and thus will have trouble following the narrator’s logic. The text is funniest and most relevant when revealing the narrator’s own fears, but it more often adopts the weirdly effusive praise of an overindulgent adult (“Black Belt Bunny, you continue to amaze me”).
Black Belt Bunny’s salad doesn’t quite come together. (Picture book. 3-7)Pub Date: July 11, 2017
ISBN: 978-0-52-542902-9
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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by Jacky Davis & David Soman ; illustrated by David Soman
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by Jacky Davis ; illustrated by Courtney Dawson
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
Awards & Accolades
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Our Verdict
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
Awards & Accolades
Our Verdict
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New York Times Bestseller
IndieBound Bestseller
Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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