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DARK METROPOLIS

There’s enough original worldbuilding in this comfortably familiar dystopian fantasy to keep readers going despite the gaps

A decadent populace, a totalitarian state and a plague of vanishing people bring three young people into the heart of an anti-government plot.

Thea just wants to keep her job at the Telephone Club, serving the wealthy glitterati. Her mother’s losing her reason to bound-sickness, weakened by magically enhanced grief from the destruction of her illegal marriage bond to Thea’s missing-in-action father. These days, it’s all Thea can do to keep the two of them alive. Freddy is one of those wealthy Telephone Club patrons. By night, he woos Thea, who fascinates him; by day, he brings corpses back to life at the request of his guardians. Nan was once a Telephone Club waitress herself, but now, she’s awakened—her memory magically damaged—surrounded by gray, unhappy laborers who insist she’s dead. This postwar, Jazz Age–inflected, slightly steampunk magical world is revealed through the eyes of these three teens as they try to save all their world’s victims, even those long since doomed. It’s not clear why this government is so wicked—it feels as though the villains’ dastardly behavior is more a matter of convenience than conviction. Whatever the cause, what can comic-book evil do in the face of three adolescent protagonists? There’s a possibility of sequels in the chaotic, untidy conclusion.

There’s enough original worldbuilding in this comfortably familiar dystopian fantasy to keep readers going despite the gaps . (Fantasy. 12-15)

Pub Date: June 17, 2014

ISBN: 978-1-4231-6332-9

Page Count: 304

Publisher: Hyperion

Review Posted Online: March 11, 2014

Kirkus Reviews Issue: April 1, 2014

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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