There’s enough original worldbuilding in this comfortably familiar dystopian fantasy to keep readers going despite the gaps
A decadent populace, a totalitarian state and a plague of vanishing people bring three young people into the heart of an anti-government plot.
Thea just wants to keep her job at the Telephone Club, serving the wealthy glitterati. Her mother’s losing her reason to bound-sickness, weakened by magically enhanced grief from the destruction of her illegal marriage bond to Thea’s missing-in-action father. These days, it’s all Thea can do to keep the two of them alive. Freddy is one of those wealthy Telephone Club patrons. By night, he woos Thea, who fascinates him; by day, he brings corpses back to life at the request of his guardians. Nan was once a Telephone Club waitress herself, but now, she’s awakened—her memory magically damaged—surrounded by gray, unhappy laborers who insist she’s dead. This postwar, Jazz Age–inflected, slightly steampunk magical world is revealed through the eyes of these three teens as they try to save all their world’s victims, even those long since doomed. It’s not clear why this government is so wicked—it feels as though the villains’ dastardly behavior is more a matter of convenience than conviction. Whatever the cause, what can comic-book evil do in the face of three adolescent protagonists? There’s a possibility of sequels in the chaotic, untidy conclusion.
There’s enough original worldbuilding in this comfortably familiar dystopian fantasy to keep readers going despite the gaps . (Fantasy. 12-15)Pub Date: June 17, 2014
ISBN: 978-1-4231-6332-9
Page Count: 304
Publisher: Hyperion
Review Posted Online: March 11, 2014
Kirkus Reviews Issue: April 1, 2014
BOOK REVIEW
BOOK REVIEW
Quietly suspenseful, vividly character-driven, and poignant, with insights into cerebral palsy and the multiple meanings of...
A nonverbal teen becomes the “real-life password” to solving a terrible crime in this British import.
Sixteen-year-old Jemma has “no secrets of [her] own.” Quadriplegic due to cerebral palsy, she can’t move or speak and depends on her foster parents and her aide, Sarah, for everything from eating to using the bathroom. But people often share their secrets with her. After all, Jemma can never tell—even when Sarah’s sleazy boyfriend, Dan, hints at his involvement in a recent murder just before Sarah goes missing. But when innovative technology offers Jemma a chance to communicate, can she expose Dan’s secret before he silences her? Despite its suspenseful premise, the plot pales against Joelson’s (Girl in the Window, 2018) intimate, unflinching exploration of Jemma’s character; the book’s most powerful tension lies in Jemma’s simple, direct narration of her unrecognized, uncomfortably realistic frustrations and fears, such as patronizing adults who “don’t realize that [she has] a functioning brain” and her worry that her overwhelmed parents will stop fostering. Refreshingly, the author’s detailed depiction of augmentative and alternative communication explores both the joy of self-expression and the physical and mental effort it requires. Jemma’s bond with her chaotic but supportive foster family grounds the story, particularly her touching rapport with her younger foster brother, Finn, who’s autistic and also nonverbal. Most characters appear white.
Quietly suspenseful, vividly character-driven, and poignant, with insights into cerebral palsy and the multiple meanings of “family.” (Suspense. 12-15)Pub Date: Nov. 5, 2019
ISBN: 978-1-4926-9336-9
Page Count: 288
Publisher: Sourcebooks Fire
Review Posted Online: Aug. 12, 2019
Kirkus Reviews Issue: Sept. 1, 2019
BOOK REVIEW
Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre.
Survival camp? How can you not have bad feelings about that?
Sixteen-year-old nerd (or geek, but not dork) Henry Lambert has no desire to go to Strongwoods Survival Camp. His father thinks it might help Henry man up and free him of some of his odd phobias. Randy, Henry’s best friend since kindergarten, is excited at the prospect of going thanks to the camp’s promotional YouTube video, so Henry relents. When they arrive at the shabby camp in the middle of nowhere and meet the possibly insane counselor (and only staff member), Max, Henry’s bad feelings multiply. Max tries to train his five campers with a combination of carrot and stick, but the boys are not athletes, let alone survivalists. When a trio of gangsters drops in on the camp Games to try to collect the debt owed by the owner, the boys suddenly have to put their skills to the test. Too bad they don’t have any—at all. Strand’s summer-camp farce is peopled with sarcastic losers who’re chatty and wry. It’s often funny, and the gags turn in unexpected directions and would do Saturday Night Live skits proud. However, the story’s flow is hampered by an unnecessary and completely unfunny frame that takes place during the premier of the movie the boys make of their experience. The repeated intrusions bring the narrative to a screeching halt.
Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre. (Fiction. 12-14)Pub Date: March 1, 2014
ISBN: 978-1-4022-8455-7
Page Count: 256
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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