Quirky, charming, funny, sad: another winner from this always-surprising author.
Another one of a kind from the inimitable Moriarty, this time, a barely epistolary fantasy series opener unlike anything else out there.
Fourteen-year-old Madeleine lives in Cambridge, England, with her zany mother in uncertain circumstances, having run away from their fabulously privileged international existence. Meanwhile, Elliot lives in Bonfire, The Farms, Cello, a parallel reality that might be the real fairyland (although that’s never explicitly stated, and this version seems utterly unlike most versions of fairyland). Through a crack between their worlds, they begin exchanging letters, although more of the novel is about one or the other of these two appealing characters than about their moments of intersection. Elliot wants to find his father, who disappeared mysteriously, while Madeleine wants to be found by hers and is also navigating friendship and her mother’s deteriorating health. Moriarty’s trademark wit and whimsy are on full display, with zingy dialogue that feels right if not entirely realistic and bizarre characters living unexpected lives that manage to be mundane and delightful at the same time. By the end, Madeleine’s story feels somewhat resolved, but Elliot’s has turned an unexpected corner that will bring their worlds much closer and bring readers more mystery and humor in the next volume.
Quirky, charming, funny, sad: another winner from this always-surprising author. (Fantasy. 12 & up)Pub Date: April 1, 2013
ISBN: 978-0-545-39736-0
Page Count: 384
Publisher: Levine/Scholastic
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Unequivocally hilarious and delightful.
Valentine’s Day is the new Groundhog Day in Painter’s latest teen romance.
According to Emilie Hornby, “love is for planners,” and she is confident that Josh is the perfect boyfriend: He is well liked, academically gifted, and extremely handsome. So after dating him for three months, she adds “Say ‘I love you’ to Josh!!!!!!!!!!!” to her Valentine’s Day to-do list. But Fate has other plans for Emilie, and she ends up crashing her car into her surly chemistry lab partner Nick’s truck, losing a journalism fellowship due to a clerical error, and catching Josh kissing his beautiful ex in his car. After sleeping over at her grandma’s, Emilie wakes up in her own bedroom and discovers that it is Feb. 14 again. Trapped in a time loop where she repeatedly relives the day’s heartbreaking events, she tries to manipulate things in order to free herself. But tomorrow never seems to come, and she keeps finding her way back to Nick, who is not only annoyingly handsome, but surprisingly charming. Painter plucks readers’ every heartstring, from writing a sweet love story between two teens with very different views on romance to honestly depicting how Emilie’s parents’ messy divorce has impacted her feelings of self-worth. Italicized confessions at the beginnings of various chapters prove there is a playful side to Emilie that is further brought out by Nick, whose constant teasing leads to flirty banter. Main characters are cued as White.
Unequivocally hilarious and delightful. (Romance. 13-18)Pub Date: Nov. 15, 2022
ISBN: 978-1-5344-7886-2
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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