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THE STOLEN PRINCE OF CLOUDBURST

From the Kingdoms and Empires series , Vol. 3

Splendidly entertaining.

Esther carries a secret that can save the world.

Sixth-grade narrator Esther is observant, impulsive, friendly, and kind. She’s good with words and storytelling but troubled by a recurring nightmare. Her history professor father is caring and nurturing, but her efficient, accomplished mother is a distant, difficult parent who seems to forget about Esther much of the time. Esther and her sisters attend the Katherine Valley Boarding School, where there’s something odd about the two new students and a new teacher. Moriarty offers an expanded look at the history and structure of the Kingdoms and Empires of The Whispering Wars(2019) and, in a story chronologically closer to this tale, The Extremely Inconvenient Adventures of Bronte Mettlestone(2018). Readers will see long before Esther does that Mrs. Pollock, her seemingly charming new teacher, is a monster and that students are being bullied by her. Meanwhile, evil shadow magic encroaches on the school and town as sea levels rise inexplicably. Esther and her sisters have a harrowing experience at a grand seaside celebration and later accompany their father on a menacing train ride through the realms of the Shadow Mages. The hidden villainy and open dangers, along with Esther’s wry humor, appealing voice, and her heroic role in saving the world, are nicely blended while an epilogue delivers a poignant close. Esther is assumed to be White; there is diversity in the supporting cast.

Splendidly entertaining. (Fantasy. 9-13)

Pub Date: March 23, 2021

ISBN: 978-1-64614-076-3

Page Count: 448

Publisher: Levine Querido

Review Posted Online: Jan. 11, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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