by Jacob Tobia ‧ RELEASE DATE: March 5, 2019
A funny, sharply observed, and intelligent journey into self-identity.
A gender nonconforming writer and performer debuts with a memoir about growing into the “most effervescent, gorgeous, dignified sissy that the world has ever seen.”
From early childhood, Tobia’s “femininity came as naturally as my masculinity.” But in a household defined by a “mundane, practical masculinity,” Tobia found few avenues for self-expression. Once in preschool, the author found that gender identity was so heavily policed by parents, teachers, and other children that they renounced all outward markers of femininity a few years later. Church—and specifically, the handbell choir—became a space that allowed Tobia to quietly "queen out.” The author also discovered another refuge among schoolmates whose tastes in anime and fantasy allowed them access to “lots of gay-leaning stuff: shows about sparkly dragons, cartoons about fairies, anime with buff shirtless dudes screaming in ecstasy as they shot their giant laser beams at other dudes.” Female high school friends gradually helped the author take their first steps toward accepting their homosexuality and femininity. But Tobia still faced opposition from others, including the members of their beloved church congregation. It was in the relative freedom of college at Duke that Tobia fought to claim their “femininity in the light of day.” By senior year, the author, who was a member of the Biden Foundation’s Advisory Council for Advancing LGBTQ Equality, became a respected, highly visible gender activist who proudly wore skirts and heels. Tobia’s “coming-of-gender” story about a trans identity that refuses to be contained within the cisgender masculine/feminine binary, is refreshing, courageous, and important. Though the author sometimes overdoes the self-congratulation and snarkiness, these flaws are more than overcome by the feisty candor and wit, especially when discussing their relationship with their parents and the church that at first rejected but then finally accepted Tobia’s sparkling “queer spirit.”
A funny, sharply observed, and intelligent journey into self-identity.Pub Date: March 5, 2019
ISBN: 978-0-7352-1882-6
Page Count: 336
Publisher: Putnam
Review Posted Online: Dec. 2, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Gretchen Carlson ‧ RELEASE DATE: June 16, 2015
For the author’s fans.
A Fox News journalist and talk show host sets out to prove that she is not “an empty St. John suit in five-inch stiletto heels.”
The child of devout Christians, Minnesota native Carlson’s first love was music. She began playing violin at age 6 and quickly revealed that she was not only a prodigy, but also a little girl who thrived on pleasing audiences. Working with top teachers, she developed her art over the years. But by 16, Carlson began “chafing at [the] rigid, structured life” of a concert violinist–in-training and temporarily put music aside. At the urging of her mother, the high achiever set her sights on winning the Miss T.E.E.N. pageant, where she was first runner-up. College life at Stanford became yet another quest for perfection that led Carlson to admit it was “not attainable” after she earned a C in one class. At the end of her junior year and again at the urging of her mother, Carlson entered the 1989 Miss America pageant, which she would go on to win thanks to a brilliant violin performance. Dubbed the “smart Miss America,” Carlson struggled with pageant stereotypes as well as public perceptions of who she was. Being in the media spotlight every day during her reign, however, also helped her decide on a career in broadcast journalism. Yet success did not come easily. Sexual harassment dogged her, and many expressed skepticism about her abilities due to her pageant past. Even after she rose to national prominence, first as a CBS news broadcaster and then as a Fox talk show host, Carlson continued—and continues—to be labeled as “dumb or a bimbo.” Her history clearly demonstrates that she is neither. However, Carlson’s overly earnest tone, combined with her desire to show her Minnesota “niceness…in action,” as well as the existence of “abundant brain cells,” dampens the book’s impact.
For the author’s fans.Pub Date: June 16, 2015
ISBN: 978-0-525-42745-2
Page Count: 272
Publisher: Viking
Review Posted Online: March 27, 2015
Kirkus Reviews Issue: April 15, 2015
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by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lulu Miller ; illustrated by Hui Skipp
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