In this whimsical tale set in South Louisiana, readers meet a blue-headed rooster who, due to a case of the chicken measles, loses the will to trumpet the morning wake-up call. When the rooster’s owner, Mrs. Vidrine, decides it’s time to make some “quiet rooster stew,” his friend, a brown hen called Cleoma, takes action. She and the other chickens invent ways to keep Mrs. Vidrine busy while Cleoma sets out to find musician Joe Beebee, whose marvelous music just might inspire the rooster to sound his morning call once again. In a text that is at the same time eloquent and hilarious, Martin creates a rousing barnyard tale into which she skillfully interweaves the story of fictional musician Joe Beebee, recounting his childhood love of music and his attempts to fashion his own instrument from a cigar box and an old screen door. Illustrator Sweet often includes several frames on one spread to depict everything that’s happening simultaneously. Her lively illustrations, employing collage and found objects, are the perfect complement to this lyrical Louisiana tale of good music and good friends. (author’s note) (Picture book. 4-8)
Pub Date: April 9, 2007
ISBN: 0-618-50759-0
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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