This poignant story of the magical gift a girl shares with her grandfather is a gem. Isabel’s grandfather had a pig that was just like family to him, and the last of its litter, “The Pig of the Pig,” is shy Isabel’s best buddy. They accompany Grandfather “when he works the water gift,” following a Y-shaped branch to find water in even the driest of fields; Grandfather says it’s “the whole earth talking.” When Isabel’s pig goes missing, she rallies her own surprising courage, and, with Grandfather, uses the gift to find her precious friend. Martin’s magnificent prose will draw the audience in, and keep them there. The narration is at once the dreamy voice of a child and the detailed, imagery-laden voice of a master storyteller. Wingerter’s acrylic illustrations are swathed in soothing, subdued blues, greens, and tans—the tranquil tones follow the story’s gently sloping mood. The swirling texture of the images makes the sensations of the New England scenes nearly tangible. (author’s note) (Picture book. 5-8)
Pub Date: April 21, 2003
ISBN: 0-618-07436-8
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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