by Jacqueline Bublitz ‧ RELEASE DATE: Nov. 1, 2022
A unique, feminist take on the suspense genre and our fascination with violence.
A murder victim guides a young woman to a new understanding of her life—and to a killer.
The murder of an attractive young woman is the foundation on which many crime novels are built—a device used too often, some might argue. But in her unique first book, Australian writer Bublitz turns that traditional construct on its head with fierce compassion and a welcome dose of feminist outrage. The narrator is 18-year-old Alice Lee, whose troubled past in a small Wisconsin town sent her fleeing to New York City, where she becomes the victim of a terrible crime. But instead of focusing only on the hunt for her killer, Bublitz puts Alice center stage. Her spirit filled with sorrow and fury, Alice demands the reader’s attention, assuring us that this is not a story about the man who killed her but about her—and young women everywhere whose lives have been cruelly reduced to sensational headlines. Before her death, Alice fell in love with the city and discovered a fascination with photography. After her murder, she attaches herself to Australian Ruby, another struggling soul who has also left home for a fresh start only to be derailed by finding Alice’s body. Alice slowly reveals fragments of herself to Ruby, and together they stumble toward bringing the killer to justice and Ruby toward a new understanding of freedom and the need for boundaries, the importance of finding a community to be a part of, and what she needs to do to make her life her own. This is undeniably a crime story, but Bublitz’s creativity, affectionate descriptions of a New York City she obviously adores, and strong character development make this novel stand out in a crowded genre.
A unique, feminist take on the suspense genre and our fascination with violence.Pub Date: Nov. 1, 2022
ISBN: 978-1-982-19899-2
Page Count: 320
Publisher: Emily Bestler/Atria
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
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by David Baldacci ‧ RELEASE DATE: Nov. 12, 2024
Fast-moving excitement with a satisfying finish.
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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