A swimming pool and a young swimmer create watery magic together.
Davies’ lighthearted, lively bit of poetry describes the singular joy of an afternoon at the neighborhood pool in this celebration of underwater swimming and splashing. “PLUNGE! / under / under / under,” reads the text as a child with black hair and light brown skin and a colorfully striped one-piece bathing suit dives and floats and soars underwater. “Bubbles…UP!” A younger, lighter-skinned little person wearing floaties and orange swim trunks stays by the poolside with an adult while a crowd of children with many different hair types and colors of skin splashes and shouts in the pool. Sánchez’s illustrations capture the way sunlight ripples through water over blue-patterned tiles and convey the blissful freedom of weightlessness, diving to the bottom of an imaginary ocean world and rocketing to the top amid bubbles. A brief thundershower clears the pool, and everyone huddles near the snack bar—but when the all-clear sounds, it’s back to the water. There’s a dramatic rescue of a rubber duck: “You are fast…/ —aqueous— / A watery dolphin, all flash and fin.” There’s cuddling—for a moment—in a towel after, and then back to the water, where the smaller child joins in the fun at last. The exuberant sense of being purely in the moment is delightful. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 19% of actual size.)
Superbly splashy, immersive, and effervescent. (Picture book. 3-7)Pub Date: May 18, 2021
ISBN: 978-0-06-283661-8
Page Count: 32
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
Categories: CHILDREN'S FAMILY | CHILDREN'S ENTERTAINMENT & SPORTS
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A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY
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Dancing is one of the most universal elements of cultures the world over.
In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.
The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)Pub Date: March 3, 2020
ISBN: 978-1-63592-142-7
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Categories: CHILDREN'S ENTERTAINMENT & SPORTS
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