Madison, Wisconsin, newspaper columnist Mitchard (Mother Less Child: The Love Story of a Family, 1985) makes a splash with her first novel—a lush melodrama centered around the kidnapping of a three-year-old boy—and keeps us turning the pages long after the brain synapses have gone to sleep. Too sharp-tongued and disorganized to make the five-star rating in the neighborhood's ideal-mother competition, Beth Cappadora nevertheless considered herself a good enough parent until three-year-old Ben, the second and sunniest of her three children, disappears from a Chicago hotel lobby while Beth is checking in. In town for her 15th high-school reunion, Beth searches the neighborhood, calls the police, and gets drunk before the truth dawns: The child has been snatched and is not coming back. The days, weeks, months, and years that follow are a nightmare for the Cappadora family back home in Madison, Wis., as Beth sleeps most of her days away, unable to connect with her increasingly disturbed son Vincent, who was supposed to have been watching Ben, and her daughter. Beth falteringly resumes her freelance photography career and husband Pat halfheartedly pursues his goal of opening a restaurant in Chicago. The restaurant is a success, the family moves back to the now-hated Windy City, and Vincent causes increasingly serious trouble as his guilt over his brother's disappearance festers. Then a miracle happens: Beth opens her door to find a boy offering to mow her lawn, a boy who looks exactly like, who must be, her baby boy Ben. . . . Workaday prose and fist-clenching earnestness combine to make this an exceptionally promising movie treatment, if not a work of literary greatness. Mitchard's Good Mother-like eye for hot family melodrama should keep her rolling in dough. (First printing of 100,000; $100,000 ad/promo; film rights to Mandalay; author tour)
Pub Date: June 1, 1996
ISBN: 0-670-86879-6
Page Count: 448
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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