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THE REST OF US

Name: THE REST OF US
Author: Jacquelyn Mitchard
ISBN: 0-670-87662-3

DISPATCHES FROM THE MOTHER SHIP

by Jacquelyn Mitchard ‧ RELEASE DATE: Nov. 1, 1997

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A beguiling collection of sometimes insightful, often amusing columns from a mother of five who is also a widow, a bestselling author, and not Erma Bombeck. There is no question that the late Bombeck is missed for her heartfelt and pungent commentaries. But the void that she has left does not have to be filled by an Erma manquÇ. Mitchard, author of the novel that Oprah turned into a bestseller, The Deep End of the Ocean (1996), is of another generation and another lifestyle, the now-single mother, one of whose children was adopted after her husband died. Her syndicated newspaper column is in some ways the shallow end of her ocean, although it deals with concerns that she will undoubtedly address in greater depth in future novels. The author proclaims that she and her audience are all those women who are not Martha Stewart, not the girlfriend who was both calculus prodigy and cheerleader, but ``the rest of us.'' The column, she says, has been her anchor, the quasi-diary in which she begins to confront the questions of, for instance, death and adoption, both for herself and her children. But she also reflects on—and occasionally skewers— such concerns as women's magazines that herald make-work crafts (elves from detergent bottles) versus men's magazines that deal with really useful stuff (building shelves, repairing light fixtures), being expelled from the car pool, and meeting the mother of the baby you are about to adopt. Some of her reflections are funny, some aim for the jugular, some are genuinely moving, like those on life as a widow. Cherry-picked from newspaper columns, this collection is necessarily formulaic in style and uneven in content. Read it, nevertheless: It's written by a woman who dredges for what matters. (Author tour)

Pub Date: Nov. 1, 1997

ISBN: 0-670-87662-3

Page Count: 256

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1997

Categories:

GENERAL NONFICTION

- BOOK REVIEW
A VERY INCONVENIENT SCANDAL
by Jacquelyn Mitchard

- BOOK REVIEW
THE GOOD SON
by Jacquelyn Mitchard

- BOOK REVIEW
TWO IF BY SEA
by Jacquelyn Mitchard

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.