At once poignant and laugh-out-loud funny, with stellar dialogue and a fast-paced narrative, this story reminds us of the...

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SORRY NOT SORRY

Former best friends are forced to revisit the past after a life-or-death medical crisis.

At first glance, Janelle and Alyssa couldn’t be more different. Janelle is African-American, and for generations her family has been trying to save the world, one way or another. For her part, Janelle is leading the grass-roots relief efforts after a hurricane devastated their community. Homecoming queen Alyssa, who is white, leads the vapid mean-girl posse and cares more about fashion and her doting Asian-American boyfriend than anything else. Like oil and water, Janelle and Alyssa clash about everything, but things weren’t always this way; the girls used to be best friends. They seem destined to remain at odds, until one day Alyssa collapses and is rushed to the hospital. Soon it’s revealed that Janelle is the one person who can save Alyssa’s life. But will the former friends bury old wounds as the clock ticks on Alyssa’s chance of recovery? Told in Janelle’s infectious, unforgettable voice, this story about friendship, forgiveness, and race is timely and refreshing. Janelle is irresistible as a whip-smart, funny, woke teen who cares about her family, diverse group of friends, and community. A budding romance with her longtime crush, Mateo, who is Latinx, rounds out Janelle’s story.

At once poignant and laugh-out-loud funny, with stellar dialogue and a fast-paced narrative, this story reminds us of the beautiful but complicated nature of true friendships. (Fiction. 12-18)

Pub Date: Feb. 26, 2019

ISBN: 978-1-338-14900-5

Page Count: 304

Publisher: Point/Scholastic

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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An unpolished grab bag of incidents that tries to make a point about racial inequality.

I'M NOT DYING WITH YOU TONIGHT

Two teenage girls—Lena and Campbell—come together following a football game night gone wrong.

Campbell, who is white and new to Atlanta, now attends the school where Lena, who is black, is a queen bee. At a game between McPherson High and their rival, a racist slur leads to fights, and shots are fired. The unlikely pair are thrown together as they try to escape the dangers on campus only to find things are even more perilous on the outside; a police blockade forces them to walk through a dangerous neighborhood toward home. En route, a peaceful protest turns into rioting, and the presence of police sets off a clash with protestors with gruesome consequences. The book attempts to tackle racial injustice in America by offering two contrasting viewpoints via narrators of different races. However, it portrays black characters as violent and criminal and the white ones as excusably ignorant and subtly racist, seemingly redeemed by moments when they pause to consider their privileges and biases. Unresolved story arcs, underdeveloped characters, and a jumpy plot that tries to pack too much into too small a space leave the story lacking. This is not a story of friendship but of how trauma can forge a bond—albeit a weak and questionable one—if only for a night.

An unpolished grab bag of incidents that tries to make a point about racial inequality. (Fiction. 15-adult)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7889-2

Page Count: 272

Publisher: Sourcebooks Fire

Review Posted Online: May 22, 2019

Kirkus Reviews Issue: June 15, 2019

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